Tom Player's 'Takedown (Orchestral Only Mix)' had a release date set for August 28, 2015. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Takedown (Orchestral Only Mix)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Resonance Theory (Deluxe Edition)". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, Takedown (Orchestral Only Mix) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Takedown (Orchestral Only Mix) by Tom Player having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| End of an Era | Tom Player | C Minor | 8 | 5A | 140 BPM | ||
| Airglow | Mark Petrie, PostHaste Music | D♭ Minor | 6 | 12A | 114 BPM | ||
| A Foundation Has To Be Built On Something | Sebastian Böhm | D Minor | 4 | 7A | 120 BPM | ||
| Odyssey | Hi-Finesse | D Minor | 4 | 7A | 135 BPM | ||
| Scimitar | Epic North | D Major | 5 | 10B | 83 BPM | ||
| Inferno | Epic Score, Snorre Tidemand | G Minor | 7 | 6A | 80 BPM | ||
| Promethean | Aliaksei Yukhnevich, Various Artists | D♭ Major | 4 | 3B | 95 BPM | ||
| Playing with Fire | Gothic Storm | G Major | 7 | 9B | 90 BPM | ||
| Redemption | Zack Hemsey | E Minor | 7 | 9A | 136 BPM | ||
| Become | Berend Salverda | B Minor | 6 | 10A | 90 BPM | ||
| Day One | Twelve Titans Music | B♭ Major | 4 | 6B | 80 BPM | ||
| Black Rose | J.T. Peterson | B♭ Minor | 2 | 3A | 125 BPM | ||
| Black Tide Rising | Glory Oath + Blood, Robert Leslie Bennett | F Minor | 3 | 4A | 132 BPM | ||
| World Stops | Tom Player | F Minor | 6 | 4A | 105 BPM | ||
| The Fallen Will Rise | Twisted Jukebox | F Major | 5 | 7B | 120 BPM | ||
| Beyond | Ghostwriter | D Major | 5 | 10B | 85 BPM | ||
| Trooper 7274 | Berend Salverda | C Minor | 4 | 5A | 152 BPM | ||
| The Machination | NINJA TRACKS | A♭ Major | 6 | 4B | 64 BPM | ||
| They Can't Break Us | Samuli Vuori, Armi Paivinen, InfraSound Music | D♭ Major | 8 | 3B | 170 BPM | ||
| Son of Altar | Sham Stalin | E Minor | 5 | 9A | 180 BPM | ||
| Realm of Infinity | Tonal Chaos Trailer Music | D Major | 7 | 10B | 150 BPM | ||
| Journey to Glory | Trailerhead | F Minor | 6 | 4A | 120 BPM | ||
| Satan's Arrival | Revolt Production Music | A♭ Major | 7 | 4B | 120 BPM | ||
| Light of Heaven | Future Heroes | B♭ Major | 6 | 6B | 115 BPM | ||
| The End of Everything | Brian Delgado, Garrett Weyenberg | D Minor | 6 | 7A | 120 BPM |