Now Sleeps The Crimson Petal (Four Madrigals On Rose Texts): Lady, When I Behold The Roses Sprouting by Paul Mealor, Tenebrae, Nigel Short Song Details

"Now Sleeps The Crimson Petal (Four Madrigals On Rose Texts): Lady, When I Behold The Roses Sprouting" by Paul Mealor, Tenebrae, Nigel Short had its release date on January 1, 2011. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 14 in A Tender Light by Paul Mealor. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Now Sleeps The Crimson Petal (Four Madrigals On Rose Texts): Lady, When I Behold The Roses Sprouting is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Now Sleeps The Crimson Petal (Four Madrigals On Rose Texts): Lady, When I Behold The Roses Sprouting by Paul Mealor, Tenebrae, Nigel Short is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 10%
Loudness: -24.361 dB
Acousticness: 99%
Danceability: 7%
Energy: 6%
Instrumentalness: 25%
Liveness: 13%
Loudness: 59%
Speechiness: 4%
Valence: 4%

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