"Pourquoi fermer ton coeur" by Franco Corelli, Franco Ferraris, Orchestra had its release date on 1996. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 45 in the song's album "Neapolitan Songs, Sacred Songs & Arias". In this album, this song's track order is #22. In terms of popularity, Pourquoi fermer ton coeur is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pourquoi fermer ton coeur by Franco Corelli, Franco Ferraris, Orchestra having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
| Gloria del' Egitto (from Aida) | Singverein der Gesellschaft der Musikfreunde, Herbert von Karajan, Vienna Philharmonic Orchestra | G Major | 3 | 9B | 66 BPM | ||
| I puritani / Act 1: "A te, o cara" | Vincenzo Bellini, Juan Diego Flórez, Ermonela Jaho, Nikola Mijailovic, Nicola Ulivieri, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | D Major | 2 | 10B | 76 BPM | ||
| Carmen, WD 31 (Excerpts): Act II: La fleur que tu m'avais jetée (Flower Song) | Georges Bizet, Herbert von Karajan, Franco Corelli, Wiener Philharmoniker | D♭ Major | 1 | 3B | 181 BPM | ||
| Core 'ngrato | Mario del Monaco | F Major | 3 | 7B | 129 BPM | ||
| Gounod: Roméo et Juliette, Act 3: "Le Duc! Le Duc !" (Chœur, Capulet, Roméo, Stéphano, Benvolio, Pâris, Gregorio, Le Duc) | Charles Gounod, Alain Lombard, Christos Grigoriou, Chœur du Théâtre national de l'Opéra de Paris, Claude Cales, Éliane Lublin, Franco Corelli, Maurice Auzeville, Pierre Thau, Yves Bisson, Orchestre du Théâtre National de l'Opéra Paris | C Minor | 3 | 5A | 86 BPM | ||
| La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
| Carmen, WD 31: La fleur que tu m'avais jetée | Georges Bizet, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | B Minor | 2 | 10A | 89 BPM | ||
| The Barber of Seville, Act I Scene 2: La calunnia è venticello (Basilio) | Gioachino Rossini, James Levine, London Symphony Orchestra | D Major | 2 | 10B | 76 BPM | ||
| Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | ||
| Don Giovanni, K. 527, Act I: No. 4, Madamina "Catalogue Aria" | Wolfgang Amadeus Mozart, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado | F Major | 3 | 7B | 129 BPM | ||
| Il barbiere di Siviglia, Act I: No. 6, Aria. La calunnia è un venticello | Gioachino Rossini, Ruggero Raimondi, Chamber Orchestra of Europe, Claudio Abbado | F Major | 1 | 7B | 128 BPM | ||
| Pagliacci: No! Pagliaccio non so! | Ruggero Leoncavallo, Franco Corelli, Arturo Basile, Alfredo Smionetto, Umberto Cattini, Orchestra Sinfonica Di Torino Della Rai, Orchestra Sinfonica di Milano della RAI | D♭ Major | 1 | 3B | 101 BPM | ||
| Martha: M'apparì tutt'amor | Friedrich von Flotow, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | B Minor | 2 | 10A | 89 BPM | ||
| Fedora: Fedora, Act II: Amor ti vieta | Umberto Giordano, Orchestra Sinfonica Nazionale della RAI di Torino, Franco Corelli, Arturo Basile | C Major | 3 | 8B | 65 BPM | ||
| Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Marcello, Mimì) | Giacomo Puccini, Thomas Schippers, Mario Sereni, Mirella Freni, Nicolai Gedda, Orchestra Del Teatro Dell'Opera Di Roma | G Major | 4 | 9B | 78 BPM | ||
| Pagliacci, Act I: Prologue: Si puo? Si puo? | Ruggero Leoncavallo, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Minor | 1 | 6A | 93 BPM | ||
| Addà turnà | Luigi Tortorella, Franco Corelli, Franco Ferraris, Franco Ferraris Orchestra | E Minor | 2 | 9A | 115 BPM | ||
| Lucia di Lammermoor / Act 3: "Ohimè! sorge il tremendo fantasma" | Gaetano Donizetti, Dame Joan Sutherland, Pier Francesco Poli, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "C'est toi ! Toi qu'enfin je revois !" (Zurga, Nadir) | Georges Bizet, Pierre Dervaux, Ernest Blanc, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | E Major | 1 | 12B | 165 BPM | ||
| Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | ||
| Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, Carlo Bergonzi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | F Major | 3 | 7B | 86 BPM | ||
| Marechiare | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | C Major | 2 | 8B | 132 BPM | ||
| O Surdato 'nnammurato | Franco Corelli | F Major | 3 | 7B | 129 BPM | ||
| Mascagni: Cavalleria rusticana: "Mamma, quel vino è generoso" (Turiddu, Lucia) | Pietro Mascagni, Gabriele Santini, Corinna Vozza, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma | A♭ Major | 2 | 4B | 98 BPM |