Hymnus for 12 Cellos, Op. 57 by Julius Klengel, Andreas Brantelid, Ingemar Brantelid, Henrik Dam Thomsen, Øystein Sonstad, Niels Ullner, Emilie Eskær, Jakob La Cour, Louisa Schwab, Morten Zeuthen, Live Johansson, Samira Dayyani, Lea Brøndal Song Details

"Hymnus for 12 Cellos, Op. 57" by Julius Klengel, Andreas Brantelid, Ingemar Brantelid, Henrik Dam Thomsen, Øystein Sonstad, Niels Ullner, Emilie Eskær, Jakob La Cour, Louisa Schwab, Morten Zeuthen, Live Johansson, Samira Dayyani, Lea Brøndal had its release date on May 27, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Hymnus for 12 Cellos, Op. 57 and no other songs are present in the album, we classify this track as a single. On top of that, Denmark appears to be the country where this track was created. In terms of popularity, Hymnus for 12 Cellos, Op. 57 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Hymnus for 12 Cellos, Op. 57 by Julius Klengel, Andreas Brantelid, Ingemar Brantelid, Henrik Dam Thomsen, Øystein Sonstad, Niels Ullner, Emilie Eskær, Jakob La Cour, Louisa Schwab, Morten Zeuthen, Live Johansson, Samira Dayyani, Lea Brøndal to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Music Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -20.208 dB
Acousticness: 95%
Danceability: 14%
Energy: 12%
Instrumentalness: 87%
Liveness: 9%
Loudness: 66%
Speechiness: 4%
Valence: 3%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	G Major	3	9B	97 BPM
6 Sonatas for Violin Solo, Op. 27 / Sonata No. 5 in G Major: I. L'Aurore	Eugène Ysaÿe, Hilary Hahn	G Major	1	9B	97 BPM
3 Romances, Op. 22: 1. Andante molto	Clara Schumann, Janine Jansen, Antonio Pappano	D♭ Major	1	3B	74 BPM
Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici)	Francis Poulenc, Serol Yapici, Tudor Cioceanu	A Major	2	11B	142 BPM
At the Parking Lot	Frans Bak, Morten Zeuthen	D Major	0	10B	102 BPM
Shostakovich: Romance from The Gadfly	Dmitri Shostakovich, Daniel Lozakovich, Mikhail Pletnev	C Major	1	8B	107 BPM
L'Arlésienne Suite No. 1, WD 40: II. Minuetto	Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	0	4B	175 BPM
Japanese Suite, Op. 33, H. 126: I. Prelude. Song of the Fisherman	Gustav Holst, Ulster Orchestra, Joann Falletta	C Minor	3	5A	103 BPM
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version)	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra	D Major	1	10B	82 BPM
Weber: Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: I. Allegro	Carl Maria von Weber, Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt	F Minor	1	4A	128 BPM
Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato	Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst	C Major	0	8B	105 BPM
Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso	Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko	E Major	3	12B	141 BPM
Mahler: Blumine	Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas	C Major	1	8B	100 BPM
Souvenir de Florence, Op. 70: II. Adagio cantabile	Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont	D♭ Major	1	3B	82 BPM
Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo	Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Daniel Barenboim	G Major	0	9B	68 BPM
Legends, Op. 59, B. 122: No. 6, Allegro con moto	Antonín Dvořák, Czech Philharmonic, Tomáš Netopil	D♭ Major	0	3B	78 BPM
Concerto Grosso #1 - 1. Prelude	Howard Hanson	A Major	2	11B	142 BPM
Cello Sonata, Op. 101: II. Fugare: Allegro risoluto	Vagn Holmboe, Morten Zeuthen	D Minor	0	7A	92 BPM
Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse	Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin	G Major	2	9B	98 BPM
Sonata for Flute, Viola & Harp, L. 137: I. Pastorale. Lento, dolce rubato	Claude Debussy, Trio Debussy de Paris	F Major	1	7B	84 BPM
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	F Major	3	7B	164 BPM
Violin Sonata, CFF 123: II. Allegro	César Franck, Itzhak Perlman, Vladimir Ashkenazy	G Minor	2	6A	142 BPM
Adoration	Florence Beatrice Price, Randall Goosby, Zhu Wang	D Major	1	10B	75 BPM
Suk: Serenade for Strings in E-Flat Major, Op. 6: IV. Allegro giocoso ma non troppo presto	Josef Suk, Christopher Warren-Green, Andrew Shulman, Lyn Fletcher, Roger Chase, Nigel Warren-Green, London Chamber Orchestra	B♭ Major	2	6B	106 BPM
Elgar: Serenade for Strings, Op. 20: II. Larghetto	Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult	C Major	1	8B	72 BPM