David Cassidy's 'Being Together' had a release date set for 2000. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Being Together's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 11 in Cherish by David Cassidy. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Being Together is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Being Together by David Cassidy is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In The Name Of Love | Dan Hill | F♯ Major | 3 | 2B | 120 BPM | ||
| Sad Eyes | Bo Donaldson & The Heywoods | C Minor | 4 | 5A | 133 BPM | ||
| Not Waving - Drowning! | Clifford T. Ward | C Major | 2 | 8B | 86 BPM | ||
| Why Oh Why Oh Why | Gilbert O'Sullivan | A♭ Major | 6 | 4B | 163 BPM | ||
| Rock And Roll Heaven | The Righteous Brothers | A Major | 8 | 11B | 113 BPM | ||
| Tracy | The Cuff Links | B Major | 5 | 1B | 130 BPM | ||
| The People That You Never Get To Love | Rupert Holmes | G Major | 3 | 9B | 117 BPM | ||
| Lonely Eyes | Robert John | C Major | 7 | 8B | 96 BPM | ||
| Midnight Blue | Melissa Manchester | C Major | 5 | 8B | 92 BPM | ||
| Precious and Few | Climax | A Major | 4 | 11B | 201 BPM | ||
| Can't We Just Sit Down and Talk It Over | David Soul | G Major | 3 | 9B | 144 BPM | ||
| Song And Dance Man | Gallagher And Lyle | D Major | 5 | 10B | 122 BPM | ||
| Beach Baby | First Class | G Major | 7 | 9B | 135 BPM | ||
| Sweet Magnolia And The Travelling Salesman | Dan Fogelberg | B♭ Major | 2 | 6B | 139 BPM | ||
| I Believe in Music | Jim Gold, Gallery | A Major | 7 | 11B | 92 BPM | ||
| Gone Too Far - Single Version | England Dan & John Ford Coley | A Major | 6 | 11B | 125 BPM | ||
| On Fire | David Cassidy | F♯ Minor | 9 | 11A | 94 BPM | ||
| Home | Gary Puckett & The Union Gap | A Major | 4 | 11B | 92 BPM | ||
| Standing On The Inside | Neil Sedaka | B♭ Minor | 8 | 3A | 139 BPM | ||
| Tomorrow Child | David Soul | G Major | 3 | 9B | 144 BPM | ||
| Keepin' Our Love Warm | Captain & Tennille | B♭ Minor | 5 | 3A | 115 BPM | ||
| Like a Sunday In Salem | Gene Cotton | A Minor | 7 | 8A | 116 BPM | ||
| My Best Friend's Wife | Paul Anka | A Major | 6 | 11B | 138 BPM | ||
| Please Please Me | David Cassidy | A Major | 8 | 11B | 148 BPM | ||
| Ruby Jean and Billie Lee | Seals and Crofts | G Major | 3 | 9B | 152 BPM |