Messiah, HWV 56 / Pt. 3: Worthy Is The Lamb by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis Song Details

"Messiah, HWV 56 / Pt. 3: Worthy Is The Lamb" by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis had its release date on January 1, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 49 in the song's album "The Messiah (Platinum Edition)". In this album, this song's track order is #26. Furthermore, we believe that the track originated from United States. In terms of popularity, Messiah, HWV 56 / Pt. 3: Worthy Is The Lamb is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Messiah, HWV 56 / Pt. 3: Worthy Is The Lamb by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 12%
Loudness: -22.221 dB
Acousticness: 98%
Danceability: 20%
Energy: 16%
Instrumentalness: 5%
Liveness: 8%
Loudness: 63%
Speechiness: 4%
Valence: 19%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Gloria in D Major, RV 589: 1. Gloria in excelsis Deo	Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste	G Minor	2	6A	103 BPM
Worthy Is the Lamb That Was Slain	The Tabernacle Choir at Temple Square, Orchestra at Temple Square	C Major	2	8B	94 BPM
For Unto Us A Child Is Born	London Philharmonic Choir	G Major	2	9B	91 BPM
Traditional: The Holly and the Ivy	Choir of King's College, Cambridge	E Major	0	12B	78 BPM
Messiah / Part 3: "Worthy Is The Lamb...Blessing And Honour"	George Frideric Handel, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood	A♭ Major	2	4B	84 BPM
Magnificat in D Major, BWV 243: XII. Gloria Patri	Johann Sebastian Bach, Unknown, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe	D Major	2	10B	178 BPM
Vom Himmel hoch: I. Chor "Vom Himmel hoch, da komm ich her"	Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris	A Minor	2	8A	83 BPM
Deep River	Traditional, The Tabernacle Choir at Temple Square, Jerold Ottley	D♭ Major	0	3B	73 BPM
What Sweeter Music	John Rutter, City of London Sinfonia, The Cambridge Singers	B Major	0	1B	89 BPM
Messiah / Part 2: "He that dwelleth in heaven...Thou shalt break them"	George Frideric Handel, Philip Langridge, Academy of St. Martin in the Fields, Sir Neville Marriner	C Major	2	8B	96 BPM
Joy To The World!	George Frideric Handel, Lowell Mason, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton	D Major	2	10B	175 BPM
This Christmastide (Jessye's Carol)	St. Olaf Choral Ensembles	D Major	1	10B	126 BPM
Panis Angelicus, Op.12, FWV 61	César Franck, Choir of King's College, Cambridge, James Vivian, Stephen Cleobury	A Major	1	11B	131 BPM
O Come All Ye Faithful	John Francis Wade, Leonard Bernstein, The Tabernacle Choir at Temple Square, New York Philharmonic	B♭ Major	4	6B	116 BPM
Ave verum corpus, K.618	Wolfgang Amadeus Mozart, St. Paul's Cathedral Choir, English Chamber Orchestra, Barry Rose	B Major	2	1B	82 BPM
Laudamus Te	Antonio Vivaldi, The Priests	G Major	3	9B	104 BPM
Trumpet Voluntary. Andante maestoso	Jeremiah Clarke, Eugene Ormandy, Philadelphia Orchestra, Gilbert Johnson	D Major	2	10B	67 BPM
O for a thousand tongues	Huddersfield Choral Society	G Major	2	9B	68 BPM
Requiem in D Minor, Op.48: 5. Agnus Dei	Gabriel Fauré, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner	F Major	0	7B	129 BPM
Amahl! Amahl!	Gian Carlo Menotti, Thomas Schippers	C Major	1	8B	91 BPM
Requiem: VII. Lux aeterna (Thomas Harries, treble)	John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia	G Major	0	9B	81 BPM
Messiah / Part 1: "This said the Lord... But who may abide..."	George Frideric Handel, Gwynne Howell, Academy of St. Martin in the Fields, Sir Neville Marriner	D Minor	2	7A	130 BPM
Trumpet Tune "The Cebell": Trumpet Tune "The Cebell", Z697	Henry Purcell, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose	D Major	1	10B	120 BPM
Let all mortal flesh keep silence (Picardy)	Choir of King's College, Cambridge, Stephen Cleobury, Benjamin Bayl	G Major	1	9B	130 BPM
Heavenly Father (Ave Maria, Op. 52 No. 6, D. 839)	Franz Schubert, The Tabernacle Choir at Temple Square, Columbia Symphony Orchestra, Jerold D. Ottley	B♭ Major	1	6B	85 BPM