Piano Concerto in F: II. Adagio by George Gershwin, Jon Nakamatsu, Rochester Philharmonic Orchestra, Jeff Tyzik Song Details

"Piano Concerto in F: II. Adagio" by George Gershwin, Jon Nakamatsu, Rochester Philharmonic Orchestra, Jeff Tyzik had its release date on May 8, 2007. This song appears to be safe for all ages as it is not explicit. The track order of this song in George Gershwin, Jon Nakamatsu, Rochester Philharmonic Orchestra, Jeff Tyzik's "Gershwin: Piano Concerto in F, Rhapsody in Blue, Cuban Overture" album is number 2 out of 5. Based on our statistics, Piano Concerto in F: II. Adagio's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Piano Concerto in F: II. Adagio by George Gershwin, Jon Nakamatsu, Rochester Philharmonic Orchestra, Jeff Tyzik to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Music Key

This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 22%
Loudness: -27.015 dB
Acousticness: 94%
Danceability: 23%
Energy: 2%
Instrumentalness: 86%
Liveness: 6%
Loudness: 55%
Speechiness: 4%
Valence: 4%

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Simple Symphony, Op. 4: I. Boisterous Bourrée	Benjamin Britten, English Chamber Orchestra	A Minor	2	8A	106 BPM
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace	Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor	F Major	2	7B	130 BPM
English Suite: Jaunt	Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones	C Major	2	8B	125 BPM
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro	Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin	E♭ Major	0	5B	81 BPM
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Symphony No. 1, Op. 25 in D "Classical": Larghetto	Sergei Prokofiev, Yuri Temirkanov	A Major	0	11B	109 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro	Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra	F Major	3	7B	111 BPM
Serenade for Strings in C major, Op. 48: IV. Finale (Tema russo): Andante - Allegro con spirito	Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet	C Major	2	8B	158 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Copland: Symphony No. 3: II. Allegro molto	Aaron Copland, San Francisco Symphony, Michael Tilson Thomas	F♯ Minor	1	11A	68 BPM
Taras Bulba: 3. The Prophecy And The Death Of Taras Bulba	Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik	D♭ Major	3	3B	132 BPM
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio	Sergei Prokofiev, Yuri Temirkanov	E Minor	0	9A	99 BPM
Warsaw Concerto	Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff	B Major	1	1B	76 BPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo	Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields	A Minor	2	8A	86 BPM
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Rondo (Allegretto)	Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden	E♭ Major	1	5B	150 BPM