Anuradha Paudwal's ' "Aa Re Aa Mora" was released on its scheduled release date, April 1, 1986. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 6 in the song's album "Sapana Banika (Original Motion Picture Soundtrack)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Aa Re Aa Mora is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Aa Re Aa Mora by Anuradha Paudwal having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nambidavara | B. R. Chaya | E♭ Major | 7 | 5B | 90 BPM | ||
| Rakate Lekhichi Naa | Udit N., Anuradha P. | F Minor | 7 | 4A | 99 BPM | ||
| Fagun a Ruwar | SANTHALI AKHARA | D Major | 7 | 10B | 132 BPM | ||
| Kichhi Loka Dei Jananti Khali Dukha | Sangram, Diptirekha Padhi | E♭ Minor | 7 | 2A | 103 BPM | ||
| Jharana Jharana | Mohammed Aziz, Anuradha Paudwal | D Major | 10 | 10B | 98 BPM | ||
| Raibai Thayobla | Bigrai, Menoka | A Major | 6 | 11B | 83 BPM | ||
| Mausi Kahe Pua | Subas Das | A♭ Major | 8 | 4B | 143 BPM | ||
| Majhire | Pranab Kishore Patnaik | B Major | 2 | 1B | 144 BPM | ||
| Tumi Amay Korte Sukhi | Mrinal Bandopadhyay, Amit Kumar, Anuradha Paudwal | B♭ Major | 4 | 6B | 138 BPM | ||
| A Jhula Jhule Re Beni | Umakanta Barik, Sanju | F♯ Minor | 8 | 11A | 82 BPM | ||
| Man Veena Ke Taar Bole | Brahma Kumaris | F Major | 5 | 7B | 138 BPM | ||
| Bhanga Ghare Chaka Jan | UMAKANT BARIK | A♭ Major | 4 | 4B | 125 BPM | ||
| Kene Gheni Jaucha Jagannathanku | Akshaya Mohanty | D♭ Major | 6 | 3B | 143 BPM | ||
| Kahana E Phula Kahana | Namita Agrawal, Diptirekha Padhi | F♯ Minor | 8 | 11A | 163 BPM | ||
| Nighale Gehun Matka Ga | Aparna Meyekar | A♭ Minor | 7 | 1A | 136 BPM | ||
| Kichhi Prema Pindhe Sina | Shakti Mishra, Tapu Mishra | F♯ Minor | 7 | 11A | 79 BPM | ||
| O Baidesi Pran Bandhu Re | Rahima Begam Kalita, Zubeen Garg | C Major | 6 | 8B | 83 BPM | ||
| Made Mankho | Manasi Debbarma | E Major | 7 | 12B | 84 BPM | ||
| Phool Ke Kaan Ma Bhawra | Sheikh Ameen, Anjali Shukla | E♭ Major | 7 | 5B | 81 BPM | ||
| Tu Mo Premara Nuaa Shayeri | Ira Mohanty, Kumar Bapi | G Major | 9 | 9B | 174 BPM | ||
| Ea Agana Ea Ghara | Trupti Das, Swaroop Naik | C Minor | 2 | 5A | 101 BPM | ||
| Baba Akhandalamani | Anuradha Paudwal | G Major | 9 | 9B | 135 BPM | ||
| Kinu Jogor Logalu - Studio | Kumar Bhabesh | D Minor | 7 | 7A | 165 BPM | ||
| Tomar Mon Ta Amake | Kanak Chapa, Andrew Kishore | F Major | 9 | 7B | 128 BPM | ||
| Tame Jebe Bhijakesa | Shakti Mishra | B Major | 7 | 1B | 165 BPM |