- BPM
- 105
- Key
- B Minor
- Camelot
- 10A
Purcell: Ground by Henry Purcell, Hayato Sumino Song Details
"Purcell: Ground" by Henry Purcell, Hayato Sumino had its release date on November 1, 2024. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Purcell: Ground's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hayato Sumino, Johann Sebastian Bach, Henry Purcell, Gabriel Fauré, Maurice Ravel, Frédéric Chopin, Claude Debussy's "Human Universe" album is number 3 out of 16. On top of that, United States appears to be the country where this track was created. In terms of popularity, Purcell: Ground is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Purcell: Ground by Henry Purcell, Hayato Sumino to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 27%
- Loudness
- -20.76 dB
- Acousticness
- 97%
- Danceability
- 20%
- Energy
- 9%
- Instrumentalness
- 21%
- Liveness
- 20%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 10%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 11 Chorale Preludes, Op. 122: No. 10, Herzlich tut mich verlangen II (Arr. Mandyczewski for Piano 4 Hands) | Johannes Brahms, Lucas Jussen, Arthur Jussen | A Major | 0 | 11B | 106 BPM | |
 | Sonata No. 5 in A Major, Op. 17, No. 5: II. Presto | Johann Christian Bach, Daniil Trifonov | A Major | 2 | 11B | 67 BPM | |
 | Byrd: Pavana Lachrymae (After Dowland's "Flow My Tears") | William Byrd, Shani Diluka | D Minor | 0 | 7A | 134 BPM | |
 | Keyboard Sonata in F Minor, Kk. 466 - Upright Version | Domenico Scarlatti, Julius Asal | E♭ Major | 0 | 5B | 68 BPM | |
 | Bonis: Miocheries, Op. 126: No. 13, La toute petite s'endort | Mel Bonis, Bertrand Chamayou | B Minor | 0 | 10A | 81 BPM | |
 | An die ferne Geliebte, Op. 98 (Arr. Liszt for Solo Piano as S. 469): No. 6, Nimm sie hin denn, diese Lieder | Ludwig van Beethoven, Nobuyuki Tsujii | E♭ Major | 0 | 5B | 68 BPM | |
 | Cantique de Jean Racine, Op. 11 (Paraphrase for Piano by Lucas Debargue) | Gabriel Fauré, Lucas Debargue | D♭ Major | 1 | 3B | 92 BPM | |
 | Nocturne No. 11 in E-Flat Major, H. 56 | John Field, Alice Sara Ott | F Major | 0 | 7B | 67 BPM | |
 | 24 Preludes and Fugues, Op. 87: No. 8a, Prelude in F-Sharp Minor | Dmitri Shostakovich, Yuja Wang | F Minor | 4 | 4A | 100 BPM | |
 | Eccles: The Mad Lover: V. Aire. Ground (Arr. Diluka for Piano) | John Eccles, Shani Diluka | F Minor | 2 | 4A | 69 BPM | |
 | 6 Piano Pieces, Op. 118: No. 2: Intermezzo in A Major | Johannes Brahms, Igor Levit | F♯ Minor | 0 | 11A | 78 BPM | |
 | Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | G Minor | 3 | 6A | 97 BPM | |
 | Tàmâr Mĕtūshelāḥ | Olivia Belli, Gautier Capuçon | D Major | 1 | 10B | 80 BPM | |
 | 12 Klavierstücke für kleine und große Kinder, Op. 85: No. 12, Abendlied (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E♭ Minor | 2 | 2A | 81 BPM | |
 | Hammers (Arr. Knoth for Solo Violin, Piano, Strings & Electronics) | Nils Frahm, Mari Samuelsen, Soyoung Yoon, Christian Badzura, Scoring Berlin, Jonathan Stockhammer | B♭ Major | 1 | 6B | 97 BPM | |
 | 6 Pieces, Op. 51: No. 6. Valse sentimentale | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Julien Quentin | D Minor | 1 | 7A | 109 BPM | |
 | Symphonie fantastique, H. 48: II. Un bal. Valse | Hector Berlioz, Orchestre de Paris, Klaus Mäkelä | A Major | 1 | 11B | 100 BPM | |
 | Sun Triptych: II. Day | Dobrinka Tabakova, Roman Mints, Kristine Blaumane, BBC Concert Orchestra | D Major | 3 | 10B | 76 BPM | |
 | Liebesleid, Old Viennese Dance No. 2 (Arr. Fougeray for Violin and Guitar) | Fritz Kreisler, María Dueñas, Raphaël Feuillâtre | A Major | 1 | 11B | 99 BPM | |
 | Vaughan Williams: 6 Studies in English Folk-Song: No. 1, Adagio | David Parkhouse, Eileen Croxford | A Minor | 1 | 8A | 92 BPM | |
 | A Chloris in E Major (Arr. for Piano by William Youn) | Reynaldo Hahn, William Youn | E Major | 0 | 12B | 105 BPM | |
 | Piano Sonata (No. 2) in C-Sharp Minor, Op. 80: II. Andante | Pyotr Ilyich Tchaikovsky, Daniil Trifonov | D Major | 2 | 10B | 102 BPM | |
 | Oboe Concerto in F Minor, TWV 51:F2: II. Largo | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | E Minor | 1 | 9A | 82 BPM | |
 | Estrellita (Arr. Abril & Barrueco for Guitar) | Manuel Ponce, Alexandra Whittingham | D Major | 0 | 10B | 113 BPM | |
 | 24 Preludes, Op. 11: No. 21 in B-Flat Major - Andante | Alexander Scriabin, Mao Fujita | F Major | 1 | 7B | 149 BPM |
- ISRC
- USSM12404949
- Label
- L-M Records/RCA Records