"Monsters Exist" by Orbital had its release date on September 14, 2018. This song is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The track order of this song in Orbital's "Monsters Exist (Deluxe)" album is number 1 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Monsters Exist's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Monsters Exist by Orbital to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tree Ghost | Yppah | B Minor | 6 | 10A | 164 BPM | ||
| Radiart | Vessels | F Minor | 7 | 4A | 126 BPM | ||
| Wire - Leaping Dub | Massive Attack, Mad Professor | G Minor | 6 | 6A | 104 BPM | ||
| Let's Get Killed | David Holmes | G Major | 8 | 9B | 180 BPM | ||
| Still Motion | The Future Sound Of London | E Minor | 6 | 9A | 174 BPM | ||
| Wavy Gravy - Live at the Barbican | Sasha | C Minor | 6 | 5A | 140 BPM | ||
| Persona | Rival Consoles | E Minor | 6 | 9A | 120 BPM | ||
| Stangentanz | Die Wilde Jagd | E♭ Minor | 8 | 2A | 94 BPM | ||
| Bergschrund | DJ Shadow, Nils Frahm | G Major | 7 | 9B | 183 BPM | ||
| Heatmap | Front Line Assembly | F♯ Major | 9 | 2B | 128 BPM | ||
| Out There Somewhere - Part 1 | Orbital | D Major | 8 | 10B | 130 BPM | ||
| Bullet | Fluke | B♭ Minor | 7 | 3A | 125 BPM | ||
| The Tide Is Rising | Neurotech | B♭ Major | 7 | 6B | 100 BPM | ||
| When Muses Return | Ten Walls | D Minor | 5 | 7A | 122 BPM | ||
| Aviator | Photek | C Major | 6 | 8B | 110 BPM | ||
| Slow Fade | Daniel Avery | A Minor | 7 | 8A | 93 BPM | ||
| The Rat | Blanck Mass | D♭ Major | 8 | 3B | 195 BPM | ||
| Neither/Neither | The Black Dog | G Major | 6 | 9B | 164 BPM | ||
| Machines Are Dancing | Floex, Tom Hodge, Prague Radio Symphony Orchestra | F♯ Major | 7 | 2B | 122 BPM | ||
| Revolution | Alex Banks | D♭ Major | 9 | 3B | 132 BPM | ||
| One United Power | Modeselektor | E Minor | 9 | 9A | 140 BPM | ||
| Papua New Guinea | The Future Sound Of London | A♭ Major | 6 | 4B | 125 BPM | ||
| Aleph 2 | Max Cooper | G Major | 9 | 9B | 118 BPM | ||
| After Gold | Kelpe | D♭ Major | 5 | 3B | 107 BPM | ||
| Main Theme | Thorsten Quaeschning, Ulrich Schnauss, Pedigree Cuts | C Minor | 8 | 5A | 88 BPM |