Leroy Anderson, Richard Hayman Symphony Orchestra, Richard Hayman's 'Plink, Plank, Plunk! (Arr. R. Hayman)' had a release date set for July 27, 1990. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Plink, Plank, Plunk! (Arr. R. Hayman)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Waltzing Cat by Leroy Anderson, Richard Hayman Symphony Orchestra, Richard Hayman. The song's track number on the album is #17 out of 20 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Plink, Plank, Plunk! (Arr. R. Hayman) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Plink, Plank, Plunk! (Arr. R. Hayman) by Leroy Anderson, Richard Hayman Symphony Orchestra, Richard Hayman has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Plink, Plank, Plunk! (Arr. R. Hayman) being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 1/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Divertimento: V. Turkey Trot. Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 82 BPM | ||
| Neue Pizzicato-Polka, Op. 449: Neue Pizzicato-Polka | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice | C Major | 0 | 8B | 152 BPM | ||
| Bugler's Holiday | Leroy Anderson, Arthur Fiedler, Al Hirt, Andre Come, Robert Mogilnicki | B♭ Major | 7 | 6B | 84 BPM | ||
| Norwegian Dances, Op. 35: No. 2 in A Major: Allegretto tranquillo e grazioso | Edvard Grieg, Budapest Strings | A Major | 1 | 11B | 104 BPM | ||
| Hornpipe (Fantasia on British Sea Songs) - 1990 Remastered Version | Sir Henry Wood, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | A Major | 3 | 11B | 117 BPM | ||
| Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt" | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | E♭ Major | 0 | 5B | 191 BPM | ||
| Norwegian Dances, Op. 35: II. Allegretto tranquillo e grazioso (Arr. H. Sitt for orchestra) | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | A Minor | 1 | 8A | 72 BPM | ||
| Humoresque No. 7 in G-Flat Major | Antonín Dvořák, James Galway, National Philharmonic Orchestra, Charles Gerhardt | D Minor | 2 | 7A | 155 BPM | ||
| Háry János Suite: II. Viennese Musical Clock | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | B♭ Major | 1 | 6B | 121 BPM | ||
| Il carnevale di Venezia, Op. 78 | Giulio Briccialdi, James Galway, National Philharmonic Orchestra, Charles Gerhardt | C Major | 1 | 8B | 87 BPM | ||
| The Sound of Music: Do Re Mi | Richard Rodgers, Richard Hayman Symphony Orchestra, Richard Hayman | G Major | 1 | 9B | 115 BPM | ||
| Berliner Luft | Paul Lincke, Stockholm Philharmonic Palm Court Orchestra, Lars Almgren | D Major | 2 | 10B | 132 BPM | ||
| Gold und Silber, Op. 79: Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | F Major | 0 | 7B | 81 BPM | ||
| Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
| Rosebud: The Rosebud March | Scott Joplin, Benjamin Loeb | G Major | 2 | 9B | 125 BPM | ||
| Davy Crockett | Richard Hayman, George Bruns, Richard Hayman Symphony Orchestra | A♭ Major | 2 | 4B | 78 BPM | ||
| Suite Of Cotswold Folk Dances (1978): Constant Billy | Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland | D Major | 1 | 10B | 96 BPM | ||
| Fancy Pants | Floyd Cramer | G Major | 6 | 9B | 95 BPM | ||
| Batman (arr. R. Hayman): Batman | Danny Elfman, Richard Hayman, Richard Hayman Symphony Orchestra | G Major | 3 | 9B | 90 BPM | ||
| Humoresque, Op. 101 No. 7 | Antonín Dvořák, Neeme Järvi, Detroit Symphony Orchestra | G Major | 0 | 9B | 102 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): VI. Les toréadors | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 5 | 11B | 99 BPM | ||
| Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
| Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
| The Grasshopper`s Dance | Ernest Bucalossi, Palm Court Theatre Orchestra, Anthony Godwin | E♭ Major | 2 | 5B | 114 BPM | ||
| William Tell: Overture (Excerpt) | Gioachino Rossini, Tasmanian Symphony Orchestra, Ola Rudner | D Major | 2 | 10B | 115 BPM |