"So It Begins" by Lorne Balfe had its release date on July 2, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 20 in the song's album "The Tomorrow War (Amazon Original Motion Picture Soundtrack)". In this album, this song's track order is #10. Based on our statistics, So It Begins's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With So It Begins by Lorne Balfe having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Leave You to It (Sleep Dearie Sleep) | Martin Phipps, The Chamber Orchestra Of London | D Minor | 0 | 7A | 75 BPM | ||
| Summit | Dario Marianelli | D♭ Minor | 2 | 12A | 85 BPM | ||
| Pyramid Collapse / Main Titles | John Ottman | G Major | 5 | 9B | 123 BPM | ||
| Lower Away | Roque Baños | C Minor | 4 | 5A | 93 BPM | ||
| Epilogue Part II | Kevin Kiner | E Minor | 1 | 9A | 47 BPM | ||
| Dream's Escape | David Buckley | D Minor | 4 | 7A | 130 BPM | ||
| Let Them Up | Junkie XL | C Major | 5 | 8B | 123 BPM | ||
| Twilight of the Gods | Mark Mothersbaugh | F♯ Major | 1 | 2B | 143 BPM | ||
| The Tomb Raider | Jason Graves | G Major | 3 | 9B | 84 BPM | ||
| Sea Of Sand | Harald Kloser, Thomas Wander | D♭ Major | 4 | 3B | 82 BPM | ||
| Frankenstein's Monster | Henry Jackman | A♭ Major | 3 | 4B | 68 BPM | ||
| The Imitation Game | Alexandre Desplat, London Symphony Orchestra | F Minor | 3 | 4A | 104 BPM | ||
| The Syndicate | Lorne Balfe | A♭ Major | 1 | 4B | 72 BPM | ||
| Good Evening, Mr. Hunt | Lorne Balfe | C Major | 1 | 8B | 101 BPM | ||
| Arkham Knight (Main Theme) | David Buckley | C Minor | 3 | 5A | 111 BPM | ||
| Havana to Vienna | Joe Kraemer | A♭ Major | 1 | 4B | 114 BPM | ||
| Autobots Reunite | Steve Jablonsky | B Minor | 5 | 10A | 90 BPM | ||
| Irrevocable | Atli Örvarsson | D♭ Major | 2 | 3B | 79 BPM | ||
| Coronation | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 4 | 8B | 87 BPM | ||
| The Bridge of Khazad Dum | Howard Shore | F Minor | 5 | 4A | 84 BPM | ||
| The Manifesto | Lorne Balfe | B♭ Major | 2 | 6B | 105 BPM | ||
| No Man's Land | Rupert Gregson-Williams | E Minor | 5 | 9A | 98 BPM | ||
| Stairs and Rooftops | Lorne Balfe | D♭ Major | 6 | 3B | 155 BPM | ||
| Omega's Theme | Kevin Kiner | A Major | 4 | 11B | 65 BPM | ||
| Merry Men | Marc Streitenfeld | E Minor | 5 | 9A | 178 BPM |