Teil 20 - Episode 1: Prototyp by Cyberdetective, David Holy, Jürgen Kluckert, Sascha Rotermund, Eva Habermann, Thomas Petruo, Gerrit Schmidt-Foß, David Nathan, Mario Hassert Song Details

Cyberdetective, David Holy, Jürgen Kluckert, Sascha Rotermund, Eva Habermann, Thomas Petruo, Gerrit Schmidt-Foß, David Nathan, Mario Hassert's ' "Teil 20 - Episode 1: Prototyp" was released on its scheduled release date, July 30, 2021. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 20 out of 30 in Episode 1: Prototyp by Cyberdetective. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Teil 20 - Episode 1: Prototyp is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

BPM and Tempo

The tempo marking of Teil 20 - Episode 1: Prototyp by Cyberdetective, David Holy, Jürgen Kluckert, Sascha Rotermund, Eva Habermann, Thomas Petruo, Gerrit Schmidt-Foß, David Nathan, Mario Hassert is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 8%
Loudness: -14.9 dB
Acousticness: 84%
Danceability: 63%
Energy: 30%
Instrumentalness: 0%
Liveness: 37%
Loudness: 75%
Speechiness: 63%
Valence: 44%

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