"Seven Motets for the Church Year: VII. Rejoice We All in the Lord (All Saints)" by Ned Rorem, St Martin's Voices, Andrew Earis had its release date on March 28, 2025. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Rorem: Choral Works". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Seven Motets for the Church Year: VII. Rejoice We All in the Lord (All Saints) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seven Motets for the Church Year: VII. Rejoice We All in the Lord (All Saints) by Ned Rorem, St Martin's Voices, Andrew Earis having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Early in the Morning | Ned Rorem | B♭ Major | 1 | 6B | 90 BPM | ||
| Vattendroppar, JS 216 | Maja Bogdanovic, Daniel Rowland | B♭ Major | 1 | 6B | 175 BPM | ||
| Danse des sylphes, S. 475 (after H. Berlioz) | Franz Liszt, Giuseppe Albanese | A♭ Major | 1 | 4B | 69 BPM | ||
| Theme from “Schindler’s List” | Cocomi, 東 亮汰, 田原綾子, Haruma Sato | D Minor | 0 | 7A | 92 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | F Minor | 0 | 4A | 70 BPM | ||
| 3 Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Fernando Viani | B Major | 0 | 1B | 72 BPM | ||
| Concerto for English Horn and Orchestra: I. Preamble and Amble | Ned Rorem, Thomas Stacy, Michael Palmer, Rochester Philharmonic Orchestra | G Major | 1 | 9B | 103 BPM | ||
| Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists | Charles Ives, Ensemble Modern, Ingo Metzmacher | E♭ Major | 1 | 5B | 131 BPM | ||
| Piano Quartet No. 2 in G Minor, Op. 45: III. Adagio non troppo | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| Organ Concerto in G Minor, FP 93: III. Andante moderato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | D♭ Major | 0 | 3B | 79 BPM | ||
| The Silver Swan | Ned Rorem, Karen Smith Emerson, Martin Katz | A Minor | 1 | 8A | 91 BPM | ||
| Hannikainen : Five Piano Pieces Op.20 : I Syyssateita [Autumn Rain] | Ilmari Hannikainen, Izumi Tateno | E Minor | 0 | 9A | 89 BPM | ||
| Poulenc: Cello Sonata, FP 143: III. Ballabile | Francis Poulenc, Daniel Müller-Schott, Robert Kulek | F Minor | 1 | 4A | 78 BPM | ||
| Sally in Our Alley | Frank Bridge, English Northern Philharmonia, David Lloyd-Jones | G Major | 1 | 9B | 115 BPM | ||
| 2 Wiegenlieder (2 Lullabies): 2. Estnisches Wiegenlied [Estonian Lullaby] [arr. J. Lloyd Webber for 2 cellos and piano] | Arvo Pärt, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | C Major | 1 | 8B | 81 BPM | ||
| Early In the Morning | Ned Rorem, William Schimmel, Dwayne Burno, Ron Jackson, Lisa Kirchner, Joel Fan, Willie Jones III | A♭ Major | 3 | 4B | 116 BPM | ||
| 24 Dainas: Daina No. 8, Adagio | Janis Medins, Arta Arnicane | D♭ Major | 1 | 3B | 72 BPM | ||
| Romance (From "Omena putoaa") | Einar Englund, Linda Hedlund, La Tempesta Orchestra, József Hárs | E♭ Major | 0 | 5B | 90 BPM | ||
| Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | F Minor | 0 | 4A | 70 BPM | ||
| A Child of our Time, Part I: The world turns on its dark side (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 0 | 9A | 64 BPM | ||
| 18 Miniatures for Violin & Piano: No. 18, Dolce | Giya Kancheli, Elisaveta Blumina, Hartmut Schill | N/A | N/A | N/A | 0 BPM | ||
| Nocturne No. 1 in E-Flat Minor, Op. 33 No. 1 | Gabriel Fauré, Kun-Woo Paik | B Major | 0 | 1B | 170 BPM | ||
| Piano Trio No. 1 in D minor, Op. 32: 2. Scherzo: Allegro molto | Anton Arensky, Beaux Arts Trio | F Major | 2 | 7B | 86 BPM | ||
| Massenet: 10 Pièces de genre, Op. 10: No. 5, Mélodie "Élégie" | Jules Massenet, Shani Diluka | F Major | 2 | 7B | 123 BPM |