Государственный академический русский хор СССР's ' "Вниз по матушке по Волге" was released on its scheduled release date, January 1, 1998. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in По улице мостовой. Русские песни, so we believe that "Вниз по матушке по Волге" is a single. Based on our statistics, Вниз по матушке по Волге's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Вниз по матушке по Волге by Государственный академический русский хор СССР is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mass in D Major, Op. 123 "Missa Solemnis": Agnus Dei: Presto | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | B♭ Major | 0 | 6B | 120 BPM | ||
| Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Komm! Hebe dich zu höhern Sphären! | Gustav Mahler, Marta Boberska, Timothy Bentch, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | E♭ Major | 1 | 5B | 85 BPM | ||
| Stabat Mater, FP 148: V. Quis est homo, qui non fleret | Francis Poulenc, Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss | A Minor | 5 | 8A | 92 BPM | ||
| Requiem, Op. 89, B. 165, Pt. 1: III. Dies irae | Antonín Dvořák, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Kim Borg, Czech Philharmonic, Karel Ančerl, Czech Chorus, Prague, Markéta Kühnová | B♭ Minor | 2 | 3A | 87 BPM | ||
| The Music Makers, Op. 69: III. With wonderful deathless ditties | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| L'Orfeo - Prologo: Toccata | Claudio Monteverdi, Musica Reservata, Michael Morrow, John Beckett | B♭ Minor | 0 | 3A | 65 BPM | ||
| Messa di gloria, SC 6: IId. Gloria. Quoniam tu solus sanctus - live | Giacomo Puccini, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić | C Minor | 2 | 5A | 138 BPM | ||
| Mass No. 2 in G Major, D. 167: V. Benedictus | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
| The Spectre's Bride, Op. 69, B. 135: Introduction | Antonín Dvořák, Prague Philharmonia, Petr Altrichter | G Major | 2 | 9B | 101 BPM | ||
| Un ballo in maschera / Act 2: Preludio | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Minor | 1 | 3A | 78 BPM | ||
| Gounod: Faust, Act 2: "Vin ou bière, bière ou vin" - "Jeune adepte du tonneau" (Chœur, Wagner) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Marc Barrard, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Nabucco: Entry Chorus 'Gli arredi festivi giu candano infranti' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
| Offenbach: Orphée aux enfers, Act 2: Chœur infernal. "Vive le vin ! Vive Pluton !" (Chœur) | Jacques Offenbach, Marc Minkowski, Chœur de l’Opéra de Lyon, Orchestre de Chambre de Grenoble, Orchestre de l'Opéra de Lyon | C Major | 4 | 8B | 87 BPM | ||
| Stabat Mater: 5. Eja Mater fons amoris | Gioachino Rossini, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | F Major | 0 | 7B | 136 BPM | ||
| Mass in C Major, Op. 86: IV. Sanctus | Ludwig van Beethoven, Sir Colin Davis, London Symphony Orchestra, London Symphony Chorus | B Minor | 1 | 10A | 137 BPM | ||
| Overture to the Opera Taras Bulba: Sostenuto e maestoso - Allegro non troppo | Mykola Lysenko, Beethoven Orchester Bonn, Stefan Blunier | C Minor | 3 | 5A | 167 BPM | ||
| Vivaldi: Magnificat in G Minor, RV 611: IX. Suscepit Israel (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, New Philharmonia Chorus, New Philharmonia Orchestra | G Minor | 0 | 6A | 112 BPM | ||
| Messa di Gloria, Op.posth., Credo: Credo in unum Deum | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Minor | 1 | 5A | 135 BPM | ||
| Te Deum, WAB 45: II. Te ergo, quaesumus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | F Minor | 1 | 4A | 85 BPM | ||
| Aaria, Herrani, Oletko | Joose Vähäsöyrinki | C Minor | 1 | 5A | 76 BPM | ||
| The Legend Of Twelve Robbers | "The Orthodox Singers" Male Choir, Georgiy Smirnov | G Major | 1 | 9B | 136 BPM | ||
| Petite messe solennelle: Agnus Dei | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Delphine Galou | C Major | 1 | 8B | 74 BPM | ||
| Te Deum, WAB 45: III. Aeterna fac cum sanctis tuis | Anton Bruckner, Anna Tomowa-Sintow, Agnes Baltsa, Peter Schreier, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein, Rudolf Scholz | B♭ Major | 2 | 6B | 116 BPM | ||
| Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen | Johannes Brahms, Herbert von Karajan, Wiener Singverein, Berliner Philharmoniker | B♭ Major | 2 | 6B | 119 BPM |