Ray Repp's ' "To Be Alive" was released on its scheduled release date, January 1, 1966. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. To Be Alive's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Best of Ray Repp Vol.1". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Based on our statistics, To Be Alive's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With To Be Alive by Ray Repp having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Song of Ruth | Bubbles Bandojo rc, Tony de Castro SJ | B♭ Major | 1 | 6B | 92 BPM | ||
| Rito de Aspersión | Lourdes C. Montgomery, Pedro Rubalcava | B♭ Major | 4 | 6B | 84 BPM | ||
| Come and Journey With Me | David Haas | G Major | 4 | 9B | 132 BPM | ||
| Les Doy un Mandato Nuevo | Francisco Palazón | D Minor | 2 | 7A | 133 BPM | ||
| Abba Father, Let Me Be | Divine Hymns | G Major | 6 | 9B | 137 BPM | ||
| This Is Jesus | Tony Melendez, Jim Cowan | G Major | 1 | 9B | 122 BPM | ||
| We Are the Light of the World | Jean Anthony Greif | D Minor | 3 | 7A | 143 BPM | ||
| Mercy's Vessel | Vessels of Mercy | D Major | 3 | 10B | 74 BPM | ||
| Companions on the Journey | Carey Landry | C Major | 4 | 8B | 110 BPM | ||
| At the Cross, Her Station Keeping (Stabat Mater, Verses 1-7) | Bill Monaghan, Jacquelyn Sherman | F Major | 1 | 7B | 106 BPM | ||
| Endless Is Your Love | Tom Kendzia | D Major | 4 | 10B | 85 BPM | ||
| Come, Holy Spirit | Ray Repp | A Major | 2 | 11B | 119 BPM | ||
| Shalom | Himnos ADV | E♭ Major | 3 | 5B | 120 BPM | ||
| Mi Ser Descansa En Él | Jireh Adoración | F Major | 2 | 7B | 130 BPM | ||
| Follow Me | Ray Repp | C Major | 5 | 8B | 133 BPM | ||
| A Place at The Table | Lori True | F Major | 5 | 7B | 175 BPM | ||
| One Love Released | Bob Frenzel, Kevin Keil | F Major | 3 | 7B | 92 BPM | ||
| Here I Am | Tom Booth | G Major | 1 | 9B | 67 BPM | ||
| All Hail, Adored Trinity | Louis Bourgeois, Robert E. Kreutz | G Major | 1 | 9B | 96 BPM | ||
| Immortal, Invisible, God Only Wise | Walter C. Smith | G Major | 3 | 9B | 147 BPM | ||
| Laudate, Laudate Dominum | Christopher Walker | E♭ Major | 2 | 5B | 97 BPM | ||
| Oración de san Francisco de Asís | Canto Católico | D Major | 3 | 10B | 89 BPM | ||
| Transfigure Us, O Lord | Bob Hurd, Craig Kingsbury, Rick Modlin | C Major | 2 | 8B | 127 BPM | ||
| Come, Let's Build | Ray Repp | D Major | 2 | 10B | 131 BPM | ||
| Jesus the Lord | Roc O'Connor, SJ, John Foley | G Major | 2 | 9B | 69 BPM |