"Coming Back to You" by Playwrite had its release date on November 1, 2012. This song is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The song is number 3 out of 5 in Assembly by Playwrite. In terms of popularity, Coming Back to You is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Coming Back to You by Playwrite is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Caution Cares | Hayden Calnin | D Major | 9 | 10B | 148 BPM | ||
| Wells Tower Song | Ciaran Lavery | F Minor | 4 | 4A | 146 BPM | ||
| Bridge | High Highs | F♯ Major | 4 | 2B | 90 BPM | ||
| Tongue Tied | Beta Radio | A Minor | 5 | 8A | 140 BPM | ||
| Don't Look Back | Amarante | D♭ Major | 2 | 3B | 77 BPM | ||
| Like Vinyards | Soul Push | E Major | 4 | 12B | 90 BPM | ||
| Don't Wait | Jon Bryant | A Major | 3 | 11B | 127 BPM | ||
| Infrared | Tall Heights | C Major | 6 | 8B | 144 BPM | ||
| What You Desire | Daggy Man | E♭ Major | 2 | 5B | 202 BPM | ||
| Postcards | Meadowlark | B Major | 5 | 1B | 127 BPM | ||
| You're Right | Morning Bear | C Minor | 2 | 5A | 78 BPM | ||
| 21st Century Heartbeat | Luke Sital-Singh | D Major | 6 | 10B | 118 BPM | ||
| Lyrebird | Playwrite | E Minor | 4 | 9A | 120 BPM | ||
| Black Cloud | Playwrite | B♭ Minor | 5 | 3A | 78 BPM | ||
| Paper Route | Fences | F Major | 5 | 7B | 132 BPM | ||
| Big Sky | Bjéar | D Major | 2 | 10B | 74 BPM | ||
| Varsity | Henry Jamison | E Major | 5 | 12B | 89 BPM | ||
| Nothing Left to Be | Covenhoven | D♭ Major | 3 | 3B | 99 BPM | ||
| Chokehold | Longfellow | C Major | 8 | 8B | 89 BPM | ||
| Terrorforming | The Howl & The Hum | C Major | 4 | 8B | 75 BPM | ||
| Moon at Dawn | Blind Pilot | A Major | 5 | 11B | 106 BPM | ||
| Departure | NIGHT FLIGHT | G Major | 3 | 9B | 110 BPM | ||
| Shore | Holly Abraham | G Minor | 3 | 6A | 146 BPM | ||
| Autumn Tree | Milo Greene | A♭ Minor | 2 | 1A | 82 BPM | ||
| Broken Feather | Harrison Storm | G Major | 3 | 9B | 121 BPM |