Amy Andersson, Isolde Fair, Starr Parodi's 'Rise Until We Stand' had a release date set for February 4, 2021. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Women Warriors: The Voices of Change by Various Artists. The song's track number on the album is #15 out of 19 tracks. Based on our statistics, Rise Until We Stand's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rise Until We Stand by Amy Andersson, Isolde Fair, Starr Parodi has a tempo of 128 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Rise Until We Stand being at 128 BPM, the half-time would be 64 BPM with a double-time of 256 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Her Final Act | Lolita Ritmanis, Amy Andersson, Latvia Studio Orchestra | C Minor | 2 | 5A | 75 BPM | ||
| Zonas Dudosas | Las Guerreras | B Major | 1 | 1B | 112 BPM | ||
| Veil | Oliver Davis, Royal Philharmonic Orchestra, Julian Kershaw, Benjamin Baker | E♭ Major | 0 | 5B | 74 BPM | ||
| Academy Awakens | AFK Journey | G Major | 2 | 9B | 136 BPM | ||
| Fireworks Above the Bridge | Harry Gregson-Williams, Rupert Gregson-Williams | E Minor | 3 | 9A | 132 BPM | ||
| Expression | Eveus | B Minor | 1 | 10A | 71 BPM | ||
| Bat Hunt | George Fenton | D♭ Minor | 5 | 12A | 140 BPM | ||
| Con Contratiempos | Armonias | D Major | 3 | 10B | 68 BPM | ||
| Me Too | Amy Andersson, Penka Kouneva | C Major | 4 | 8B | 75 BPM | ||
| The two sisters | Jalaapeno | F Major | 1 | 7B | 71 BPM | ||
| Nice to Meet You Diary | Kostas Christides | G Major | 0 | 9B | 175 BPM | ||
| L’alibi | Paolo Buonvino | G Major | 2 | 9B | 136 BPM | ||
| From Here to Eternity | Stefan Kraft | D Minor | 1 | 7A | 98 BPM | ||
| Bandits' Expanse | Jeremy Soule | G Major | 2 | 9B | 136 BPM | ||
| A Contract With The Jury | Clinton Shorter | G Major | 0 | 9B | 77 BPM | ||
| Asegurando Sensaciones | Las Eternas | G Minor | 2 | 6A | 140 BPM | ||
| Desert Breezes | Grant Kirkhope, The City of Prague Philharmonic Orchestra | G Major | 2 | 9B | 136 BPM | ||
| Memories From The Rose Yard | Paolo Vivaldi | G Major | 2 | 9B | 136 BPM | ||
| Thirst | Ana Krstajić, F.A.M.E.'S. Macedonian Radio Symphonic Orchestra | A Minor | 0 | 8A | 101 BPM | ||
| Fantastic Journey | Richard Philip Birdsall | G Major | 2 | 9B | 58 BPM | ||
| All Alone | JACK KAY | A Minor | 1 | 8A | 64 BPM | ||
| Davis: Golden Eagles | Don Davis, Leonard Slatkin, Los Angeles Film Orchestra | G Major | 2 | 9B | 136 BPM | ||
| The Long Road | Amy Andersson, Lolita Ritmanis | C Major | 4 | 8B | 75 BPM | ||
| The Winter's Tale, Act I Scene 1: The Court at Sicilia | Joby Talbot, Orchestra of the Royal Opera House, Covent Garden, Koen Kessels | A♭ Major | 2 | 4B | 108 BPM | ||
| Taking Adam's Hand | James Schafer | G Major | 2 | 9B | 136 BPM |