James Keelaghan's 'I Would I Were' had a release date set for 2004. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Then Again". In this album, this song's track order is #5. I Would I Were is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With I Would I Were by James Keelaghan having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It's My Time | Haverin | E♭ Major | 3 | 5B | 124 BPM | ||
| Leatter from San Francisco | Mandel Tom | F Minor | 4 | 4A | 105 BPM | ||
| Living in Alberta | Rum Ragged | A♭ Major | 5 | 4B | 80 BPM | ||
| The Dreadnought (Bound Away) | Sea Song Sessions, Jon Boden, Seth Lakeman, Ben Nicholls, Emily Portman, Jack Rutter | E Major | 5 | 12B | 96 BPM | ||
| Seven Is the Number | Dave Carter & Tracy Grammer, Dave Carter, Tracy Grammer | E♭ Major | 3 | 5B | 124 BPM | ||
| Here She Comes A Running | Dave Gunning | G Major | 7 | 9B | 130 BPM | ||
| Thank You for Everything | Finbar Furey | D Major | 3 | 10B | 204 BPM | ||
| Border Line | David Francey | F Major | 5 | 7B | 162 BPM | ||
| Getting Dark Again | Mcginty | D Major | 8 | 10B | 114 BPM | ||
| Tanglewood Tree | Dave Carter, Tracy Grammer | E Major | 1 | 12B | 117 BPM | ||
| The Storms Are On The Ocean | Richard Shindell | C Major | 2 | 8B | 152 BPM | ||
| Shock-A-Bag Blues | Late Start Productions | E♭ Major | 2 | 5B | 181 BPM | ||
| The Ballad Of Mary Magdalen | Cry Cry Cry | C Major | 3 | 8B | 76 BPM | ||
| Sail Away To The Sea | The Once | A Major | 2 | 11B | 85 BPM | ||
| Me Over Him | The John Byrne Band | C Minor | 3 | 5A | 153 BPM | ||
| The Town | Ten Strings and a Goat Skin | E Major | 4 | 12B | 151 BPM | ||
| Kilkelly/ Leaving | Robbie O'Connell | E Minor | 2 | 9A | 135 BPM | ||
| Long Black Veil | Caroline Herring | E♭ Major | 0 | 5B | 76 BPM | ||
| The Jewel of Paris | Nathan Rogers | E♭ Major | 5 | 5B | 177 BPM | ||
| Circle and Square | Eric Brace, Thomm Jutz | E♭ Major | 3 | 5B | 124 BPM | ||
| Land of the Bottom Line | John Gorka | A♭ Minor | 3 | 1A | 136 BPM | ||
| The Bramble And The Rose | Mary McCaslin, Jim Ringer | A Major | 4 | 11B | 156 BPM | ||
| Missouri Road Song | Bill Staines | E♭ Major | 3 | 5B | 103 BPM | ||
| The Gift | Lucy Kaplansky | G Major | 3 | 9B | 78 BPM | ||
| Long Gone | Bill Morrissey | A♭ Major | 5 | 4B | 115 BPM |