"Nunc dimittis for 5 Voices" by Thomas Weelkes, Ripon Cathedral Choir, Robert Marsh, Kerry Beaumont had its release date on May 13, 1996. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Nunc dimittis for 5 Voices's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ripon Cathedral Choir, Robert Marsh, Kerry Beaumont's "Magnificat & Nunc dimittis, Vol. 12" album is number 10 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Nunc dimittis for 5 Voices's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nunc dimittis for 5 Voices by Thomas Weelkes, Ripon Cathedral Choir, Robert Marsh, Kerry Beaumont to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Psalm 84: O How Amiable Are They Dwellings (Parry) | St. Thomas Choir Of Men And Boys, Gerre Hancock | A♭ Major | 1 | 4B | 67 BPM | ||
| St. John Passion, Part I: Sing, My Tongue, the Glorious Battle | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Chaconne Brass, Wells Cathedral Choir, Matthew Owens | C Minor | 4 | 5A | 163 BPM | ||
| Messe de minuit pour Noël, H. 9: IV. Sanctus | Marc-Antoine Charpentier, Gaétan Jarry, Marguerite Louise, Romain Champion, Mathias Vidal, David Witczak | C Major | 3 | 8B | 70 BPM | ||
| Kjell Mørk Karlsen: O Magnum Mysterium | Kjell Mørk Karlsen, Schola Cantorum, Tone Bianca Sparre Dahl | B Minor | 0 | 10A | 130 BPM | ||
| Kornets sang | Flemming Weis, Musica Ficta, Bo Holten | D Major | 1 | 10B | 90 BPM | ||
| Francis Poulenc: Quem vidistis pastores | Lumen Valo | B Minor | 1 | 10A | 131 BPM | ||
| Parce Domine | Jacob Obrecht, Odhecaton, Paolo da Col | E♭ Minor | 1 | 2A | 91 BPM | ||
| Passion Week, Op. 13: VII. The Noble Joseph | Maximilian Steinberg, Cappella Romana, Alexander Lingas | A Minor | 0 | 8A | 74 BPM | ||
| Missa Quadragesimalis, MH 552: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 78 BPM | ||
| Missa Sanctae Crucis, MH 56: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 78 BPM | ||
| How Beautiful Upon the Mountains | John Stainer, Christ Church Cathedral Choir of Men and Boys, Indianapolis, Frederick Burgomaster | D Major | 0 | 10B | 110 BPM | ||
| Hosanna to the Son of David | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | D♭ Major | 1 | 3B | 83 BPM | ||
| O Mensch, bewein dein Sünde gross | Caspar Othmayr, Vox Luminis, Lionel Meunier, Haru Kitamika | F Major | 1 | 7B | 95 BPM | ||
| O Tébe Ráduyetsia | Rev Dr Ivan Moody, Cappella Romana | B Minor | 1 | 10A | 110 BPM | ||
| Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | ||
| Jesu, salvator saeculi, verbum: Jesu, salvator saeculi, verbum | John Sheppard, Stile Antico | D Minor | 1 | 7A | 169 BPM | ||
| Victoria: Tenebrae Factae Sunt - 1. Tenebrae Factae Sunt | The Tallis Scholars, Peter Phillips | F Minor | 1 | 4A | 80 BPM | ||
| Gesualdo: Ave, Dulcissima Maria | Carlo Gesualdo, Peter Phillips, The Tallis Scholars | F Major | 1 | 7B | 71 BPM | ||
| When David heard | Thomas Weelkes, Boston Trinity Church Choir, Brian Jones, Michael Kleinschmidt | B Major | 1 | 1B | 82 BPM | ||
| Psaume 115 "Je crois, et je parlerai" | Yves Castagnet, Maîtrise de Saint-Christophe de Javel, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Death Hath Deprived Me | Thomas Weelkes, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 2 | 4A | 137 BPM | ||
| Otcenáš (Our Father), JW IV/29: Bud vule tvá (Thy will be done) (Revised 1906) | Leoš Janáček, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton, Johannes Wik, Karstein Askeland, Gábor Bretz, Thomas Trotter, Bergen Philharmonic Choir | F Major | 1 | 7B | 80 BPM | ||
| Mass of the Americas: VII. Ave verum corpus | Frank La Rocca, The Benedict XVI Choir, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Mass for Double Choir: III. Credo | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 135 BPM | ||
| Strike it up, Tabor | Thomas Weelkes, Amarcord | B Major | 3 | 1B | 111 BPM |