"Das Rheingold, WWV 86A: Ride Donner's Thunderbolt, Crawl with the Thirst-Crazed Siegmund to the Haven (Temporary) of Sieglinde's Hearth and Solace" by Richard Wagner, Berliner Philharmoniker, Lorin Maazel had its release date on May 1, 1988. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wagner: The "Ring" Without Words (Orchestral Highlights from the Ring Cycle) by Richard Wagner, Lorin Maazel, Berliner Philharmoniker. The song's track number on the album is #4 out of 20 tracks. Based on our data, United States was the country where this track was produced or recorded. Das Rheingold, WWV 86A: Ride Donner's Thunderbolt, Crawl with the Thirst-Crazed Siegmund to the Haven (Temporary) of Sieglinde's Hearth and Solace is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Rheingold, WWV 86A: Ride Donner's Thunderbolt, Crawl with the Thirst-Crazed Siegmund to the Haven (Temporary) of Sieglinde's Hearth and Solace by Richard Wagner, Berliner Philharmoniker, Lorin Maazel has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Das Rheingold, WWV 86A: Ride Donner's Thunderbolt, Crawl with the Thirst-Crazed Siegmund to the Haven (Temporary) of Sieglinde's Hearth and Solace being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Petrouchka: Fête populaire le soir | Ferenc Fricsay, Berliner Philharmoniker | D Major | 8 | 10B | 95 BPM | ||
| Die Walküre, Act II Scene 2: Schlimm, fürcht ich, schloss der Streit – Laß ich's verlauten | Richard Wagner, Régine Crespin, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 82 BPM | ||
| Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto | Ludwig van Beethoven, Berliner Philharmoniker, Sir Simon Rattle | C Minor | 2 | 5A | 101 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 92 BPM | ||
| Manon Lescaut, Act III: Intermezzo | Giacomo Puccini, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 87 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
| Berlioz: Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice. Allegretto non troppo | Hector Berlioz, Sir Simon Rattle, Berliner Philharmoniker | D Minor | 2 | 7A | 171 BPM | ||
| Othello Overture, Op. 93, B. 174 | Antonín Dvořák, Berliner Philharmoniker, Claudio Abbado | D Major | 0 | 10B | 87 BPM | ||
| Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | B♭ Minor | 2 | 3A | 122 BPM | ||
| Schubert: Rosamunde, Op. 26, D. 797: Overture from Die Zauberharfe, D. 644 | Franz Schubert, Herbert von Karajan, Berliner Philharmoniker | C Major | 1 | 8B | 118 BPM | ||
| Aufforderung zum Tanz, Op. 65 (Orch. Berlioz) | Carl Maria von Weber, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 111 BPM | ||
| Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
| Fidelio, Op. 72: Overture | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 113 BPM | ||
| Symphony No. 3 in D Minor, Zweite Abteilung: IV. Sehr langsam. Misterioso. Durchaus ppp | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger | A Minor | 0 | 8A | 174 BPM | ||
| Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 8 in G Minor | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker | A♭ Major | 0 | 4B | 65 BPM | ||
| Götterdämmerung, WWV 86D / Erster Aufzug: "Blitzend Gewölk, vom Wind getragen, stürme dahin" | Richard Wagner, Helga Dernesch, Helge Brilioth, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 78 BPM | ||
| Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
| Romeo and Juliet, Op. 64 - Act 3: At Juliet's Bedside | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | G Major | 0 | 9B | 77 BPM | ||
| Concerto for Orchestra, Sz. 116: V. Finale. Pesante – Presto | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 121 BPM | ||
| Das Rheingold, Scene 1: Garstig glatter glitschriger Glimmer! | Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Zoltan Kelemen, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 129 BPM | ||
| Symphony No.9 In D / 1. Satz: Mit Wut. Allegro risoluto | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 3 | 3A | 74 BPM | ||
| Transfigured Night, Op. 4: Molto rallentando | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | F♯ Major | 1 | 2B | 96 BPM | ||
| Symphony No.4 In B Flat, Op.60: 4. Allegro ma non troppo | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 135 BPM | ||
| Don Quixote, Op. 35, TrV 184: Variation VIII | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM |