Jim Hall's 'Seven Come Eleven' had a release date set for February 22, 1957. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jim Hall's "Jazz Guitar" album is number 10 out of 10. In terms of popularity, Seven Come Eleven is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Seven Come Eleven by Jim Hall to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'll Remember April - Remastered | Sonny Clark Trio | G Major | 2 | 9B | 72 BPM | ||
| Effendi | McCoy Tyner Trio | A Minor | 4 | 8A | 69 BPM | ||
| Down And Out Tangos | Chano Dominguez, Emaginario, Carlos Henriquez, Obed Calvaire | C Major | 2 | 8B | 135 BPM | ||
| These Are Soulful Days | Benny Green | G Minor | 2 | 6A | 134 BPM | ||
| Dangerous | Wes Montgomery Trio | A Minor | 1 | 8A | 77 BPM | ||
| Stompin' At The Savoy - Instrumental | George Van Eps, Howard Alden | B♭ Minor | 3 | 3A | 84 BPM | ||
| Tal's Blues | Tal Farlow | C Minor | 2 | 5A | 137 BPM | ||
| With a Song in My Heart | Sonny Rollins Quartet | C Minor | 3 | 5A | 115 BPM | ||
| Swingin' Till The Girls Come Home | Erik Moseholm | D♭ Major | 1 | 3B | 130 BPM | ||
| Ghost of a Chance | Lennie Tristano | C Major | 0 | 8B | 81 BPM | ||
| On the Move | Ben Paterson | F Major | 3 | 7B | 204 BPM | ||
| Come Rain Or Come Shine (Take 5) | Bill Evans, Scott LaFaro, Paul Motian | C Major | 1 | 8B | 87 BPM | ||
| Perk's Blues | Emily Remler | F Minor | 3 | 4A | 101 BPM | ||
| Blues Riff | Wes Montgomery Trio | F Minor | 2 | 4A | 67 BPM | ||
| You're My Thrill | Ray Bryant Trio | C Minor | 3 | 5A | 115 BPM | ||
| Beat's Up | Tommy Flanagan Trio | C Minor | 3 | 5A | 115 BPM | ||
| Polka Dots And Moonbeams | Kenny Drew | F Major | 1 | 7B | 76 BPM | ||
| Show-Type Tune | Bill Evans Trio | F Major | 4 | 7B | 111 BPM | ||
| I Don't Care | Junior Mance | C Minor | 3 | 5A | 115 BPM | ||
| Come Rain Or Come Shine (Take 4) | Bill Evans, Scott LaFaro, Paul Motian | D Minor | 1 | 7A | 87 BPM | ||
| Let's Cool One | Thelonious Monk Quartet | F Minor | 3 | 4A | 128 BPM | ||
| The Revolving Door | The Chick Corea New Trio | F Minor | 3 | 4A | 77 BPM | ||
| ユード・ビー・ソー・ナイス・トゥ・カム・ホーム・トゥ | Jim Hall | G Minor | 4 | 6A | 112 BPM | ||
| Gate City Blues | Duke Pearson | G Major | 4 | 9B | 121 BPM | ||
| Tree | raLoki | C Minor | 3 | 5A | 115 BPM |