"Lullaby" by Andrea Farri, Valentina Costanzo had its release date on April 4, 2024. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Lullaby's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 8 in Fabbricante di lacrime - The Tearsmith (Soundtrack from the Netflix Film) by Andrea Farri. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Lullaby is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lullaby by Andrea Farri, Valentina Costanzo is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Inside | Chris Avantgarde, Red Rosamond | D Minor | 7 | 7A | 80 BPM | ||
| Run Like a River | JAMICA | C Major | 6 | 8B | 172 BPM | ||
| You Were Supposed to Be Different | Aron Wright | G Major | 2 | 9B | 74 BPM | ||
| Victorious | Nona | A♭ Major | 6 | 4B | 90 BPM | ||
| Always Been You | Stage Dive | F♯ Minor | 5 | 11A | 82 BPM | ||
| I Wish | Marc A Dold, Stephanie Cecile Yavelow | F♯ Minor | 4 | 11A | 81 BPM | ||
| Such Great Heights (From Netflix's "Uglies") | MILCK | D♭ Major | 5 | 3B | 134 BPM | ||
| I Love Our Home | Tom Rhodes | C Major | 1 | 8B | 70 BPM | ||
| Salted Wound - From "Fifty Shades Of Grey" Soundtrack | Sia | C Major | 4 | 8B | 82 BPM | ||
| Always Leaving | Brian Seymour | D Major | 7 | 10B | 153 BPM | ||
| Fire in My Soul | Wayne Murray, Andrew Britton, Ian Shepherd | D Minor | 4 | 7A | 159 BPM | ||
| I Can See Clearly Now | Isabella Summers, Elise McQueen | A Major | 6 | 11B | 176 BPM | ||
| Savage | I, Us, & We | D♭ Major | 7 | 3B | 117 BPM | ||
| Siren Song | Three Laws | A♭ Major | 4 | 4B | 78 BPM | ||
| I Need Love | James George, PIA | F Minor | 2 | 4A | 145 BPM | ||
| Street Spirit (Fade Out) | Rosie Carney | A Minor | 2 | 8A | 137 BPM | ||
| Playing On Rewind | Modern Fear | D Major | 5 | 10B | 150 BPM | ||
| How To Say Goodbye | Ames, Beza | C Major | 3 | 8B | 80 BPM | ||
| Last Woman Standing | Moa L. M. Munoz, Ryan T. Short | A♭ Major | 6 | 4B | 122 BPM | ||
| Come to an End | Nik Ammar | C Major | 1 | 8B | 112 BPM | ||
| The Age of Believing | Aron Wright | F♯ Minor | 3 | 11A | 57 BPM | ||
| Night | Daniel Spaleniak | G Minor | 3 | 6A | 120 BPM | ||
| I Think I Belong Here | i am hymn | A Minor | 6 | 8A | 82 BPM | ||
| Tender | Cavendish Music | A♭ Minor | 4 | 1A | 120 BPM | ||
| Oh Life | Ryan Goldmouth | C Minor | 2 | 5A | 183 BPM |