On April 18, 2025, the song "Tunnel Vision" was released by Lost In Japan, Addi John. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 8 in Another Way To Love by Lost In Japan, Addi John. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Tunnel Vision's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Tunnel Vision by Lost In Japan, Addi John is Vivace (lively and fast), since this song has a tempo of 157 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stop The War | Harry Eley, Millie Cameron | A♭ Minor | 8 | 1A | 130 BPM | ||
| Lighthouse | Lost In Japan | D Major | 6 | 10B | 90 BPM | ||
| Sad Day | Martha Gibson | B Minor | 6 | 10A | 180 BPM | ||
| Lone Rider | Sam Cullen | E Major | 7 | 12B | 120 BPM | ||
| somealchemy | Bedhed | B Minor | 6 | 10A | 180 BPM | ||
| Late Night Lost Love | Paris Youth Foundation | D♭ Major | 9 | 3B | 150 BPM | ||
| cop car | Ian Taylour | B Minor | 6 | 10A | 180 BPM | ||
| Concrete Jungle | Candid | A♭ Minor | 8 | 1A | 143 BPM | ||
| Oh Barista | G69 | D♭ Major | 9 | 3B | 112 BPM | ||
| Calling Me Out | Castells | E Major | 7 | 12B | 130 BPM | ||
| Bitter | Wild Horse | D♭ Major | 8 | 3B | 124 BPM | ||
| The Bustle | The Entrées | B Minor | 6 | 10A | 180 BPM | ||
| Hallelujzer | Dunedogs | F♯ Major | 9 | 2B | 154 BPM | ||
| World Champion | JAXON RAYDEN | B Minor | 6 | 10A | 180 BPM | ||
| Party for 2 | Vincent Groat Music | B Minor | 7 | 10A | 155 BPM | ||
| Automatic Moment | Hogan Ellen | D♭ Minor | 5 | 12A | 161 BPM | ||
| Sleep For Days | Good Goes Away | F♯ Minor | 8 | 11A | 134 BPM | ||
| ROSES & SPACESHIPS | Miles Jeppson | B Minor | 6 | 10A | 180 BPM | ||
| Can't See Anything | Yam Haus | A Minor | 8 | 8A | 150 BPM | ||
| Red Lights | Basement Alchemy | E Major | 8 | 12B | 118 BPM | ||
| One Thing | People Laughing | B Minor | 6 | 10A | 180 BPM | ||
| L.A.F.S | Polo Lounge | B Minor | 6 | 10A | 180 BPM | ||
| Malibu Vibes | Atlassian | A Major | 9 | 11B | 123 BPM | ||
| Coulda Been A Good Thing | Spoonfed | B Minor | 6 | 10A | 180 BPM | ||
| Goodbye To The Ghost | Ste Kelly | E Major | 4 | 12B | 150 BPM |