綾戸智恵's 'Work Song' had a release date set for January 1, 2020. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in 綾戸智恵's "MY WAY meets 原信夫とシャープス&フラッツ" album is number 1 out of 13. On top of that, Japan appears to be the country where this track was created. Work Song is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Work Song by 綾戸智恵 to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When I Close My Eyes | Mary Stallings | D Major | 1 | 10B | 107 BPM | ||
| These Foolish Things | Claire Martin | D Major | 2 | 10B | 130 BPM | ||
| Switch To Me | 綾戸智恵 | A Minor | 2 | 8A | 99 BPM | ||
| 青春の光と影 | Ann Sally | G Major | 2 | 9B | 90 BPM | ||
| Just The Way You Are | noon | F Major | 4 | 7B | 71 BPM | ||
| My Favorite Things | Kei Kobayashi | D Minor | 2 | 7A | 92 BPM | ||
| Almost True | Janet Evra, Randy Brecker | F Minor | 2 | 4A | 77 BPM | ||
| In The Still Of The Night | Bryan Eng | C Minor | 4 | 5A | 136 BPM | ||
| New York State Of Mind | 綾戸智恵 | A Minor | 3 | 8A | 82 BPM | ||
| The Flow | Bianca Grooves | B♭ Minor | 5 | 3A | 122 BPM | ||
| One | Inger Marie Gundersen | C Major | 2 | 8B | 112 BPM | ||
| Starlight Starbright | Eugenie Jones | G Minor | 4 | 6A | 103 BPM | ||
| Mr. Bojangles | 綾戸智恵 | C Major | 3 | 8B | 129 BPM | ||
| スイート・ジョージア・ブラウン | BLACK BOTTOM BRASS BAND, 綾戸智恵 | G Major | 8 | 9B | 123 BPM | ||
| Blues and the Bebop | The Lost American JazzBook | F Minor | 6 | 4A | 103 BPM | ||
| Washington Square Park | Jim Pearce | C Minor | 2 | 5A | 68 BPM | ||
| Serenade on Fifth Avenue | Saxo York | A♭ Minor | 5 | 1A | 125 BPM | ||
| A-Tisket, A-Tasket | April Varner | A♭ Major | 5 | 4B | 138 BPM | ||
| Summertime | Malene Mortensen | G Minor | 2 | 6A | 111 BPM | ||
| Norwegian Wood | Lisa Bassenge | C Major | 2 | 8B | 96 BPM | ||
| 順行 Gute Nacht | 林理惠 Mars Lin, 鄭順聰, Minyen Hsieh | A♭ Minor | 5 | 1A | 125 BPM | ||
| What A Diff'rence a Day Made | Ernestine Anderson | B♭ Major | 1 | 6B | 174 BPM | ||
| Wise Women Know | Soesja Citroen, Berend van den Berg, Ruud Ouwehand | F Major | 1 | 7B | 57 BPM | ||
| When the Moon's Away | Paloma Dineli Chesky | D♭ Major | 0 | 3B | 65 BPM | ||
| The Sweetest Sound | Judy Niemack, Kenny Barron | C Major | 1 | 8B | 82 BPM |