John Schumann's ' "One True Game" was released on its scheduled release date, January 29, 2002. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Portrait: The Very Best of John Schumann". In this album, this song's track order is #13. The popularity of One True Game is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With One True Game by John Schumann having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aussie As | Matt Scullion | D Major | 3 | 10B | 77 BPM | ||
| Children of the Southern Land - Remastered Version | Goanna | G Minor | 5 | 6A | 164 BPM | ||
| takayna | Goanna | C Major | 5 | 8B | 144 BPM | ||
| Dickens Cider | Buddy Goode | G Major | 7 | 9B | 102 BPM | ||
| Derapet | Fred Smith | C Minor | 4 | 5A | 110 BPM | ||
| The Man from Humpty-Doo | Ted Egan | F Major | 8 | 7B | 109 BPM | ||
| Where I B'long | Pigram Brothers | A♭ Major | 7 | 4B | 178 BPM | ||
| Don't Welcome Me (To My Own Country) | The Emily James Trio | E Major | 7 | 12B | 144 BPM | ||
| The Ballad Of Bill And Eva | Chad Morgan, Shane Howard | D Major | 6 | 10B | 95 BPM | ||
| Stronger Than Nicotine | Luke O'Shea | E Major | 8 | 12B | 96 BPM | ||
| Land Cries Out | Sara Storer | C Major | 5 | 8B | 90 BPM | ||
| The Bridge | Yirrmal, Shane Howard | G Major | 3 | 9B | 80 BPM | ||
| Solid Rock - Remastered Version | Goanna | D Major | 5 | 10B | 167 BPM | ||
| Snake Skin Shoes | The Black Sorrows | D Major | 7 | 10B | 98 BPM | ||
| In Spite of Ourselves | Kirsty Lee Akers, Bob Evans | B♭ Major | 3 | 6B | 140 BPM | ||
| She's the Sorta Sheila | Kevin Bloody Wilson | A Major | 9 | 11B | 98 BPM | ||
| The Last Lager Waltz | Kevin Bloody Wilson | C Major | 4 | 8B | 172 BPM | ||
| Let the Franklin Flow | Shane Howard | F Major | 6 | 7B | 111 BPM | ||
| Working on the Railway | John Schumann | G Major | 6 | 9B | 130 BPM | ||
| Halfway Hotel | Pigram Brothers | G Major | 8 | 9B | 102 BPM | ||
| Big Things | Michael Waugh | G Major | 5 | 9B | 142 BPM | ||
| Four Weeks Gone - Remastered Version | Goanna | G Major | 8 | 9B | 128 BPM | ||
| Nuclear Cop (LIVE in Amsterdam 1985) | Redgum | C Major | 8 | 8B | 158 BPM | ||
| If The War Goes On | John Schumann | D Major | 8 | 10B | 175 BPM | ||
| Thank God I'm Unemployed | Errol Gray | G Major | 4 | 9B | 115 BPM |