- BPM
- 200
- Key
- E Major
- Camelot
- 12B
Almira Suite, HWV 1: IV. Sarabande by George Frideric Handel, Francesco Corti, Il Pomo D'oro Song Details
George Frideric Handel, Francesco Corti, Il Pomo D'oro's ' "Almira Suite, HWV 1: IV. Sarabande" was released on its scheduled release date, April 2, 2022. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Francesco Corti, Il Pomo D'oro, Kathryn Lewek, John Chest's "Handel: Apollo e Dafne & Armida abbandonata" album is number 33 out of 34. On top of that, Netherlands appears to be the country where this track was created. The popularity of Almira Suite, HWV 1: IV. Sarabande is currently below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
BPM and Tempo
We consider the tempo marking of Almira Suite, HWV 1: IV. Sarabande by George Frideric Handel, Francesco Corti, Il Pomo D'oro to be Presto (very, very fast) because the track has a tempo of 200 BPM, a half-time of 100BPM, and a double-time of 400 BPM. The time signature for this track is 4/4.
Music Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 29%
- Loudness
- -13.562 dB
- Acousticness
- 92%
- Danceability
- 36%
- Energy
- 27%
- Instrumentalness
- 83%
- Liveness
- 11%
- Loudness
- 77%
- Speechiness
- 4%
- Valence
- 73%
Recommendations
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|---|---|---|---|---|---|---|---|
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 | Concerto Grosso In F Major, Op. 6, No. 6 : III. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D Minor | 1 | 7A | 55 BPM | |
 | Concerto Grosso in D Major, Op. 1, No. 5: III. Largo | Pietro Locatelli, Capella Istropolitana | G Minor | 1 | 6A | 50 BPM | |
 | Concerto grosso in B flat major, Op. 3/2, HWV 313: III. Allegro | George Frideric Handel, Kammerorchester Basel | D♭ Minor | 3 | 12A | 148 BPM | |
 | On Wings of Song, Op. 34 No. 2 | Felix Mendelssohn, Haruma Sato, 久末 航 | A Minor | 0 | 8A | 86 BPM | |
 | Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | |
 | Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | |
 | Passacaglia | Silvius Leopold Weiss, Miloš Karadaglić | D Major | 1 | 10B | 86 BPM | |
 | Wandrers Nachtlied II, D. 768 (Transcr. for Cello and Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 166 BPM | |
 | Abendlied, Op. 85, No. 12 (Arr. for String Orchestra by Johan Svendsen) | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | B Major | 1 | 1B | 113 BPM | |
 | Zoroastre, RCT 62, Acte III, Scène VII: Gavotte en rondeau | Jean-Philippe Rameau, Teodor Currentzis | A♭ Minor | 1 | 1A | 116 BPM | |
 | Jackie's Song | Julian Lloyd Webber, BBC Concert Orchestra, Barry Wordsworth | E♭ Major | 1 | 5B | 85 BPM | |
 | Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | |
 | Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": II. Largo Andante | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 70 BPM | |
 | 3 Pieces in Old Style: No. 1, Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Major | 0 | 6B | 75 BPM | |
 | Cello Concerto No. 6 in D Major, G. 479: II. Adagio | Luigi Boccherini, Steven Isserlis, Orchestra of the Age of Enlightenment | A Major | 0 | 11B | 71 BPM | |
| Concerto Grosso In C Minor, Op. 6, No. 3 : V. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | C Minor | 2 | 5A | 79 BPM | |
 | Franck: / Transc. Bauer: Prélude, Fugue et Variation, Op. 18, CFF 30B (transcr. H. Bauer) – Prélude: Andantino | César Franck, Mariam Batsashvili | B Minor | 1 | 10A | 85 BPM | |
 | Carnaval, Op. 9: XII. Chopin | Robert Schumann, Valentina Igoshina | B♭ Minor | 0 | 3A | 73 BPM | |
| Concerto grosso in B flat major, Op. 3/1, HWV 312: I. Allegro | George Frideric Handel, Kammerorchester Basel | D♭ Minor | 3 | 12A | 148 BPM | |
 | Water Music: Suite No. 1 in F Major, HWV 348, VII. Air | George Frideric Handel, Pierre Boulez, New York Philharmonic | F Major | 1 | 7B | 83 BPM | |
 | Pavana Lachrymae, BK 54 | William Byrd, Mishka Rushdie Momen | G Major | 0 | 9B | 177 BPM | |
 | Concerto grosso in B minor, Op. 6, No. 12: 3. Larghetto, e piano | George Frideric Handel, Michel Schwalbé, Hanns-Joachim Westphal, Ottomar Borwitzky, Edith Picht-Axenfeld, Herbert von Karajan, Karl Scheit, Friedrich Fischer, Berliner Philharmoniker | G Major | 2 | 9B | 85 BPM | |
 | Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM |
- ISRC
- NLE422105533
- Label
- L-M Records/RCA Records