Jerry Goldsmith's 'Where The Bad Guys Are Gals' had a release date set for January 1, 1967. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Where The Bad Guys Are Gals's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jerry Goldsmith's "In Like Flint" album is number 1 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, Where The Bad Guys Are Gals's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Where The Bad Guys Are Gals by Jerry Goldsmith to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Foreign Visitors Arrive | Patrick Doyle | G Major | 3 | 9B | 83 BPM | ||
| North and South Title Theme (From "North and South") [2004 Version] | Regency Players | D Minor | 2 | 7A | 82 BPM | ||
| Craven's Return | Zbigniew Preisner | F Major | 2 | 7B | 0 BPM | ||
| Star Trek: Insurrection: End Credits - From "Star Trek: Insurrection" | Jerry Goldsmith, Frederic Talgorn, Royal Scottish National Orchestra | C Major | 2 | 8B | 147 BPM | ||
| The Fighting Fratellis, Sloth's Choice And Ultimate Booby Trap | Dave Grusin | F Major | 4 | 7B | 127 BPM | ||
| Main Theme / Brothers (From "Broken Arrow") | Rich Douglas | C Major | 5 | 8B | 90 BPM | ||
| Neodämmerung | Don Davis | C Minor | 7 | 5A | 126 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| The Magnificent Seven: Main Titles And Calvera's Visit: Allegro Con Fuoco | Phoenix Symphony, James Sedares | D Minor | 4 | 7A | 83 BPM | ||
| Control | Niclas Moan, Nocilla | F Minor | 2 | 4A | 69 BPM | ||
| The Friends | Nicholas Hooper | C Major | 1 | 8B | 74 BPM | ||
| Solomon Lane | Joe Kraemer | A Minor | 1 | 8A | 86 BPM | ||
| Korgar | Koda Bark | F♯ Major | 5 | 2B | 131 BPM | ||
| The Battle For Peace - Star Trek VI/Soundtrack Version | Cliff Eidelman | A♭ Major | 1 | 4B | 80 BPM | ||
| End Credits (From "The Cider House Rules" Score) | Rachel Portman, John Lenehan, David Snell | C Major | 1 | 8B | 141 BPM | ||
| Labyrinth of the Lifestream - FF7 Rebirth OST Ver. | 植松 伸夫, 古川 亮 | B♭ Minor | 3 | 3A | 93 BPM | ||
| Eshkeri: Prologue (Through The Wall) | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Major | 3 | 10B | 70 BPM | ||
| The World Of The Heart - Main Title - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 122 BPM | ||
| Journey Theme | Andrew Lockington | G Minor | 3 | 6A | 106 BPM | ||
| Please Wait | Patrick Doyle | G Minor | 1 | 6A | 80 BPM | ||
| A Start | Jerry Goldsmith | A♭ Major | 1 | 4B | 85 BPM | ||
| Tristan & Yvaine | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 2 | 9B | 69 BPM | ||
| The Burned-Out Village | Jerry Goldsmith, Disney | E Minor | 1 | 9A | 61 BPM | ||
| Malcolm Is Dead | James Newton Howard | A Major | 1 | 11B | 88 BPM | ||
| Snowdrop | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 1 | 8B | 83 BPM |