THE PRACTICE: Seven Line Prayer (Tibetan)
Chagdud Tulku Rinpoche
Red Tara: The Concise Practice and Commentary, 2CD audiobook
0:55 March 25, 2005
BPM
113
Key
D♭ Major
Camelot
3B

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THE PRACTICE: Seven Line Prayer (Tibetan) by Chagdud Tulku Rinpoche Song Details

Chagdud Tulku Rinpoche's ' "THE PRACTICE: Seven Line Prayer (Tibetan)" was released on its scheduled release date, March 25, 2005. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 39 in the song's album "Red Tara: The Concise Practice and Commentary, 2CD audiobook". In this album, this song's track order is #2. In terms of popularity, THE PRACTICE: Seven Line Prayer (Tibetan) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

With THE PRACTICE: Seven Line Prayer (Tibetan) by Chagdud Tulku Rinpoche having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Music Key

D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-16.767 dB
Acousticness
99%
Danceability
61%
Energy
20%
Instrumentalness
0%
Liveness
13%
Loudness
72%
Speechiness
56%
Valence
75%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records