Roli Prakash's ' "Santoshi Mata Ki Aarti" was released on its scheduled release date, May 14, 2018. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The track order of this song in Various Artists's "Morning Bhajans & Aartis" album is number 15 out of 20. On top of that, United States appears to be the country where this track was created. In terms of popularity, Santoshi Mata Ki Aarti is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Santoshi Mata Ki Aarti by Roli Prakash to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sayamsmaranam | Shweta Pandit | A Minor | 5 | 8A | 128 BPM | ||
| Hanumath Mangalashtakam | Play Devotional | F♯ Major | 4 | 2B | 104 BPM | ||
| Mangalaa Saasanam | Hari Achuta Rama Sastry, T. Uma Kameswari | C Major | 2 | 8B | 70 BPM | ||
| મારા પુણ્ય તણો નહિ પાર | Sadhu Bhaktikirtandas | D Major | 5 | 10B | 145 BPM | ||
| Hore Krishno | Roompa Roy, Pradyot Dey Sarkar | D♭ Major | 4 | 3B | 170 BPM | ||
| Ebar Ujar Kore | Srikanta Acharya | B♭ Major | 2 | 6B | 96 BPM | ||
| Sri Gayatri Stotram | K.S. Surekha | A Minor | 5 | 8A | 151 BPM | ||
| Bhagavad Gita Adhyay, Pt. 3 | Shrirang Bhave | E Major | 4 | 12B | 153 BPM | ||
| Suryopanishad Atha Surya Atahrva | Sri Sathya Sai Official | D Major | 2 | 10B | 152 BPM | ||
| Renuka Stotr | Pt. V. K. Vaishampayan | F Major | 5 | 7B | 155 BPM | ||
| Ayyappa Maladharana Stotram | Madhu Balakrishnan, Manu | G Major | 2 | 9B | 140 BPM | ||
| Darshan Path | Ravindra Jain | G Major | 6 | 9B | 116 BPM | ||
| Atma Raksha Stotram | Amey Date | B Major | 6 | 1B | 134 BPM | ||
| Vinayaka Vinayaka - Natai - Adi | Udaiyalur Kalyanaraman | D♭ Major | 8 | 3B | 115 BPM | ||
| Yaha Vidhi Mangal Aarti | Arohi Anil Agarkar, Rageshree Anil Agarkar | D♭ Major | 4 | 3B | 95 BPM | ||
| Ganapathi Ashtothara Sathanamavali | Bombay Sisters | D Major | 4 | 10B | 138 BPM | ||
| Kemre Bhuliy Swami Upkar Apna | Swaminarayan Aksharpith | C Minor | 4 | 5A | 104 BPM | ||
| Tujhe Prem Majhya | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Ganesh Vandana | Manish Newar, Vivek Prakash | E♭ Minor | 6 | 2A | 112 BPM | ||
| Antapuri Bramha Praktale | Jitendra Abhyankar, Tejas Walhekar | E♭ Major | 6 | 5B | 160 BPM | ||
| Sri Rudra Dwadashanama | Puttur Narasimha Nayak | A♭ Major | 6 | 4B | 165 BPM | ||
| Vishnu Sahasranamam Phalasruti | Puttur Narasimha Nayak, Kalyana Raman, Chandan Nallal | A♭ Major | 7 | 4B | 74 BPM | ||
| Yugal Sarakaar Aarti | Jagadguru Shri Kripalu Ji Maharaj | F Major | 5 | 7B | 100 BPM | ||
| Purusakutham | Malola Kannan, Govindarajan | D♭ Major | 6 | 3B | 133 BPM | ||
| Poran Badhua Kala | Aditi Munshi | F Major | 5 | 7B | 112 BPM |