Jose Ricardo Rodriguez, Ricardo Rodriguez's 'Fac Ut Portem (Live)' had a release date set for April 14, 2023. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Fac Ut Portem (Live)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 12 in Encuentro De Dos Mundos by Jose Ricardo Rodriguez, Ricardo Rodriguez. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Fac Ut Portem (Live) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Fac Ut Portem (Live) by Jose Ricardo Rodriguez, Ricardo Rodriguez is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nigra sum | Pablo Casals, Choir of Jesus College, Cambridge, Mark Williams | E Major | 1 | 12B | 74 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 11, Go, in the name of Angels and Archangels (Assistants) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, James Platt, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| Requiem, Op. 9 (1961 version): Sanctus | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | G Minor | 1 | 6A | 136 BPM | ||
| Grande messe des morts, Op. 5, "Requiem": Hostias | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Minor | 0 | 3A | 131 BPM | ||
| In dulci jubilo, BuxWV52 | Dietrich Buxtehude, Eileen McLoughlin, Alfred Deller, Maurice Bevan, Eli Goren, Leonard Friedman, Anna Shuttleworth, Desmond Dupre, Denis Vaughan | F Major | 1 | 7B | 96 BPM | ||
| Forkladd gud, Op. 24: Vem spelar på en pipa en låt av gryningsluft … (Who plays upon a pipe a song of the morning air …) [Chorus] [the Disguised God] | Lars-Erik Larsson, Hillevi Martinpelto, Karl-Magnus Fredriksson, Gustaf Sjökvists Kammarkör, Bjorn Granath, Royal Stockholm Philharmonic Orchestra, Gustaf Sjokvist | G Major | 1 | 9B | 101 BPM | ||
| Petite messe solennelle, Credo: X. Credo in unum Deum | Gioachino Rossini, Krassimira Stoyanova, Birgit Remmert, Steve Davislim, Hanno Müller-Brachmann, RIAS Kammerchor, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | B Major | 1 | 1B | 131 BPM | ||
| Come To The Music | Cincinnati Choral Society | D Major | 2 | 10B | 84 BPM | ||
| Adoramus te Christe | Théodore Dubois, Chorale franco-allemande de Paris, Bernard Lallement, Georges Bessonnet, Thierry Pentsch, Li-Chin Huang | C Major | 0 | 8B | 127 BPM | ||
| Requiem: IV. Sanctus | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia, Sinfonia Of London | F Major | 1 | 7B | 78 BPM | ||
| Vespers, Op. 37: Come, Let Us Worship | Sergei Rachmaninoff, Yuri Korinnyk, Mykhaylo Tyshchenko, Olga Borusene, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | F Major | 0 | 7B | 111 BPM | ||
| A Safe Stronghold Our God Is Still (Ein Feste Burg) | Amici forever | E♭ Major | 2 | 5B | 119 BPM | ||
| Quis est homo | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | D Major | 2 | 10B | 113 BPM | ||
| The Awakening | Joseph Martin, Mansfield University Festival Chorus, Peggy Dettwiler | F Minor | 4 | 4A | 135 BPM | ||
| Hymne | R.P. Komitas, Garbis Aprikian, Choeur Sipan-Komitas | G Minor | 4 | 6A | 160 BPM | ||
| In Song: I. Intro: Entre nos voix | Diane Boudreau, Laura Hawley, Michelle David, Canadian Chamber Choir, Joel Tranquilla | G Major | 1 | 9B | 78 BPM | ||
| There Is A Glorious Land | New Apostolic Church of Cape Town | G Major | 1 | 9B | 100 BPM | ||
| A Midsummer Night's Dream / Act 1: "Over Hill, Over Dale" | Benjamin Britten, Choir Of Downside School, Purley, Wandsworth School Boys Choir, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Stephen Terry, London Symphony Orchestra | G Major | 2 | 9B | 89 BPM | ||
| Ten Poems on Texts by Revolutionary Poets, Op. 88: No. 5: To Those Condemned to Death | Dmitri Shostakovich, Chorus of the Academy of Choral Arts, Victor Popov | A Major | 0 | 11B | 77 BPM | ||
| MAGNIFICAT: III. Quia fecit | Kim André Arnesen, Nidarosdomens jentekor, TrondheimSolistene, Anita Brevik, Lise Granden Berg, Magne H. Draagen, Øyvind Gimse | G Major | 2 | 9B | 120 BPM | ||
| Stay With Me - Bleibet Hier | Taizé | D Minor | 1 | 7A | 67 BPM | ||
| Liturgija Sv. Jovana Zlatoustog: Iže heruvimi Heruvimska pesma | Stevan St. Mokranjac, Hor Radio Televizije Beograd, Mladen Jagušt | F♯ Major | 2 | 2B | 82 BPM | ||
| Battlestar Operatica | Bear McCreary | D Major | 1 | 10B | 89 BPM | ||
| Behold, the Tabernacle of God | John Rutter, The Cambridge Singers, City of London Sinfonia | F Major | 3 | 7B | 77 BPM | ||
| Brahms: Die Meere | Die Feinsliebchen | E Minor | 0 | 9A | 121 BPM |