"Conductus: O Maria stella maris" by Anonymous , Anonymous 4 had its release date on 1995. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "The Lily & the Lamb: Chant & Polyphony from Medieval England". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Conductus: O Maria stella maris is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Conductus: O Maria stella maris by Anonymous , Anonymous 4 having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| Angelorum Carmina | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | D Major | 0 | 10B | 71 BPM | ||
| Chorus Novarum Caritatis | Monks of St. Anthony's Greek Orthodox Monastery, Abraham Julius Martyn The Fifth | F Major | 0 | 7B | 72 BPM | ||
| We Adore You, O Christ | Richard T Proulx, The Compline Choir, Jason A. Anderson | G Major | 0 | 9B | 87 BPM | ||
| Canticle of Simeon | Choir of the Monks of Chevetogne | F Major | 1 | 7B | 168 BPM | ||
| Hymnus Vespertinus Lucis | Schola Gregoriana Del Coro F. Paer, Schola of the Hofburgkapelle, Vienna, The Monks of Pluscarden Abbey | E♭ Major | 1 | 5B | 135 BPM | ||
| Alleluia: I. Evening | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | E♭ Major | 1 | 5B | 139 BPM | ||
| CondÍtor Alme SÍderum | Anonymous, Choeur des frères dominicains de la province de France | F♯ Minor | 0 | 11A | 139 BPM | ||
| Vox in Tenebris | Eikona, Choirs Of Annunciation Byzantine Catholic Church, Monastery Choir of St. John of San Francisco, Isauria | D Minor | 8 | 7A | 123 BPM | ||
| Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
| Regreso a la Tonada (Arr. Eduardo Ferraudi) | Sexteto Cantábile | F Minor | 1 | 4A | 108 BPM | ||
| Within Our Darkest Night | The Songs of Taize Session Singers | E Minor | 1 | 9A | 128 BPM | ||
| Veri Floris Sub Figura: Manuscrit de Saint-Gall | Anonymous, Brigitte Lesne, Discantus | E Minor | 0 | 9A | 131 BPM | ||
| Sacris solemnis - hymn z uroczystości najświętszego ciała i krwi Chrystusa | Schola Cantorum Gymevensis | C Minor | 1 | 5A | 121 BPM | ||
| Gregorian Chant for the Dead: Ritus communionis | Anonymous, Aurora Surgit, Alessio Randon | D Major | 0 | 10B | 178 BPM | ||
| Hodie Christus natus est | Anonymous, Chœur de l'abbaye Notre-Dame d'Argentan | A Minor | 1 | 8A | 130 BPM | ||
| Cantus Vespertinus Novus | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | C Major | 0 | 8B | 132 BPM | ||
| Templum Sapientiae Excelsae | Monks of St. Anthony's Greek Orthodox Monastery, Abraham Julius Martyn The Fifth | B♭ Major | 0 | 6B | 72 BPM | ||
| Of Thy Mystical Supper | Cappella | E Minor | 1 | 9A | 135 BPM | ||
| MISA IN TE DOMINE SPERAVI: Agnus Dei | Francisco Guerrero, A5 Vocal Ensemble | D Minor | 2 | 7A | 72 BPM | ||
| Ros Mysticus | Cathedral Choir | A Minor | 0 | 8A | 130 BPM | ||
| Our Lady of Sorrows | Mater Dei Seminary | B Major | 1 | 1B | 172 BPM | ||
| Ad Matutinum: Responsorium. Qui Deus Magnus | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Dans la joie de Pâques : Alleluia Pascha Nostrum | Dom Le Feuvre, Congrégation de Solesme, Choeur des Bénédictins de l'Abbaye de Kergonan | E♭ Major | 0 | 5B | 65 BPM | ||
| Allejua, Allejua, Laudate Dominum, Allejua, Venite, Exultemus Domino | Monks Of The Benedictine Abbey Of Calcat | E♭ Major | 2 | 5B | 105 BPM |