Ame à vagues by Jean-Philippe Collard-Neven, Jean-Louis Rassinfosse, Fabrice Alleman, Xavier Desandre Navarre Song Details

Jean-Philippe Collard-Neven, Jean-Louis Rassinfosse, Fabrice Alleman, Xavier Desandre Navarre's 'Ame à vagues' had a release date set for September 6, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Braining Storm by Jean-Louis Rassinfosse, Jean-Philippe Collard-Neven, Fabrice Alleman, Xavier Desandre Navarre. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Based on our statistics, Ame à vagues's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

The tempo marking of Ame à vagues by Jean-Philippe Collard-Neven, Jean-Louis Rassinfosse, Fabrice Alleman, Xavier Desandre Navarre is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.

Music Key

This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -12.639 dB
Acousticness: 80%
Danceability: 40%
Energy: 39%
Instrumentalness: 82%
Liveness: 8%
Loudness: 79%
Speechiness: 3%
Valence: 21%

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