"Contact (Final Transmission)" by Trocadero had its release date on October 24, 2014. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 71 in the song's album "Recovery I: (2014-2015)". In this album, this song's track order is #70. Furthermore, we believe that the track originated from United States. The popularity of Contact (Final Transmission) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Contact (Final Transmission) by Trocadero having a BPM of 204 with a half-time of 102 BPM and a double-time of 408 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beautiful Mirage - The Vision Fades | Ludvig Forssell | C Minor | 1 | 5A | 73 BPM | ||
| Canyon Sunset | Chris Remo | F Major | 0 | 7B | 100 BPM | ||
| Days Gone | Nathan Whitehead | D Minor | 3 | 7A | 81 BPM | ||
| Worship the Endless | Arnaud Roy | D♭ Minor | 3 | 12A | 130 BPM | ||
| Halo 3 - Never Forget | Michael Tai | E♭ Major | 0 | 5B | 79 BPM | ||
| Safe and Sound | Dan Romer | D Minor | 1 | 7A | 78 BPM | ||
| Run, Jump, Fight | Olivier Deriviere, London Contemporary Orchestra | C Minor | 7 | 5A | 128 BPM | ||
| New Beginnings | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| The Bound | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| You, Me & Gravity | Jim Guthrie, J.J. Ipsen | C Major | 3 | 8B | 122 BPM | ||
| Dead Island (10th Anniversary) | Giles Lamb, the Scottish Session Orchestra | F♯ Major | 2 | 2B | 55 BPM | ||
| Cole MacGrath | Jim Dooley | E Minor | 3 | 9A | 105 BPM | ||
| Indefinity | Matt Christensen | F Minor | 3 | 4A | 65 BPM | ||
| Hide and Seek (Port) | Zack Bower | C Major | 2 | 8B | 94 BPM | ||
| We've All Done Things | Nathan Whitehead | A Major | 2 | 11B | 140 BPM | ||
| A Theme For Kjell | Johan Skugge, Jukka Rintamäki | C Minor | 4 | 5A | 208 BPM | ||
| Ghosts of Void | Keith Power | D♭ Major | 2 | 3B | 77 BPM | ||
| Gravity Hurts | Cryoshell, Christine, Budapest Art Orchestra | D Major | 4 | 10B | 93 BPM | ||
| In Your Belief | Mercuzio Pianist | B♭ Minor | 1 | 3A | 96 BPM | ||
| Exfiltration | Chris Remo | D♭ Major | 2 | 3B | 95 BPM | ||
| The Nightmare Ends (From "Bloodborne") [Hunter's Dream] | Ryan Amon, Alex Roe | B♭ Minor | 2 | 3A | 81 BPM | ||
| The Catacombs | Samurai Jack | C Major | 9 | 8B | 90 BPM | ||
| Streets of New London | Piotr Musiał | C Minor | 3 | 5A | 83 BPM | ||
| The Tale of a Cruel World | DM DOKURO | C Minor | 1 | 5A | 132 BPM | ||
| Song of Despair: The Lord of Frenzied Flame (from "Elden Ring") | Shoi Miyazawa, Alex Roe | E Minor | 3 | 9A | 83 BPM |