Marcus Miller's ' "Ozell (Interlude 1)" was released on its scheduled release date, May 8, 2001. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Marcus Miller's "M²" album is number 6 out of 15. On top of that, United States appears to be the country where this track was created. Based on our statistics, Ozell (Interlude 1)'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Ozell (Interlude 1) by Marcus Miller to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grooving at the Lake | Wolfgang Lackerschmid, Chuck Loeb, John Lee, Marilyn Mazur | D Minor | 6 | 7A | 110 BPM | ||
| Underpage Reeds | Bluestroke | B♭ Major | 6 | 6B | 84 BPM | ||
| Walk Talkin' Mizell (Until We Meet Again) | The Rebirth | G Minor | 7 | 6A | 85 BPM | ||
| Rule of Thumb | John Scofield | F Minor | 2 | 4A | 75 BPM | ||
| fugitive | is it sunday? | A Minor | 4 | 8A | 90 BPM | ||
| Bitten Tongue Blues | Hyperbolic Club | B♭ Major | 6 | 6B | 84 BPM | ||
| Sara's Touch | Mike Mainieri, Don Grolnick, Marcus Miller, Steve Khan, Peter Erskine, Manolo Badrena, Michael Brecker | C Major | 3 | 8B | 84 BPM | ||
| Fat Albert Rotunda | Lee Ritenour, Patrice Rushen, Marcus Miller, Melvin Lee Davis, Oscar Seaton | D Major | 8 | 10B | 93 BPM | ||
| Chick (Dedicated To Chick Corea) | Jeff Lorber Fusion, Hubert Laws | F Minor | 8 | 4A | 119 BPM | ||
| Pop Virgil | The Stanley Clarke Band | A Major | 8 | 11B | 135 BPM | ||
| Tutu | Stanley Clarke, Marcus Miller, Victor Wooten | F Major | 5 | 7B | 190 BPM | ||
| Cloudy Afternoon | Noctyl, Captain Pickle | B♭ Major | 6 | 6B | 84 BPM | ||
| Boomerang Reprise | Marcus Miller | E♭ Minor | 4 | 2A | 122 BPM | ||
| Chicken Dog | John Scofield | G Major | 5 | 9B | 86 BPM | ||
| Up | The Stanley Clarke Band | G Major | 7 | 9B | 147 BPM | ||
| The Original (For Dad) | Arlington Jones | E♭ Minor | 6 | 2A | 78 BPM | ||
| Music Room | Wayne Krantz | C Major | 4 | 8B | 92 BPM | ||
| Matinee Idol | Yellowjackets | C Major | 6 | 8B | 109 BPM | ||
| Could It Be You | Marcus Miller | G Major | 2 | 9B | 76 BPM | ||
| Skyward Bound | Steps Ahead | B♭ Minor | 1 | 3A | 109 BPM | ||
| When It Was | The Brecker Brothers | B♭ Minor | 4 | 3A | 97 BPM | ||
| Streetframe Trio | Bluestroke | B♭ Major | 6 | 6B | 84 BPM | ||
| When We Were Free | Pat Metheny Group | B Minor | 3 | 10A | 100 BPM | ||
| Barreleye | Mark Lettieri | F♯ Minor | 8 | 11A | 92 BPM | ||
| Lost And Found | John McLaughlin And The 4th Dimension | D Major | 4 | 10B | 124 BPM |