On September 28, 2021, the song "Maine Aise Dekha Part 12" was released by Rekha Rani. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Maine Aise Dekha Part 12's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 12 in Bhajan Kanha Ki Paijaniya by Rekha Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Maine Aise Dekha Part 12 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Maine Aise Dekha Part 12 by Rekha Rani is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| (DJ) Gaeela Dubraay | Angad Ram Ojha, Sneh Upadhya | D♭ Major | 10 | 3B | 117 BPM | ||
| Aangana Duware Sagare | Bharat Sharma | F Minor | 7 | 4A | 152 BPM | ||
| Tohar Lahanga Uthadebau Remote - maithili | L K Raj, Suman Sona | A Minor | 10 | 8A | 158 BPM | ||
| DJ Waleya | Dishu Fouji, Doney Rana | C Major | 9 | 8B | 133 BPM | ||
| Dulha Khojali Pakistani | Khesari Lal Yadav | C Minor | 10 | 5A | 145 BPM | ||
| Thana Bate Babhan Ke Jamin Me | Raja Singh, Yashika Chandra | B♭ Minor | 10 | 3A | 124 BPM | ||
| Muavahi Ke Rahe Ta | Rekha Rani | B♭ Minor | 6 | 3A | 87 BPM | ||
| Agg Lage Charhadi Jawani Ho | Darmaiz Sondhu, Rekha Rani | E♭ Major | 8 | 5B | 148 BPM | ||
| Rut Barsala - Title Track | Darmaiz Sondhu, Rekha Rani | A♭ Major | 9 | 4B | 75 BPM | ||
| Rel Diya Jayega | Heera Ojha | F Minor | 9 | 4A | 81 BPM | ||
| Matmangar | Samar Singh, Khushi Kakkar | F Major | 10 | 7B | 130 BPM | ||
| Paihanab Shameej Salwar | Bijli Rani, Rekha Rani | A♭ Major | 7 | 4B | 91 BPM | ||
| Dil Tod Ke Jaiba | Bijli Rani, Rekha Rani | G Minor | 9 | 6A | 123 BPM | ||
| Chhauda Gach Gach Gach | KTM Raja, Anjali Bharti | D Major | 10 | 10B | 155 BPM | ||
| Aa Gail 2009 | Pawan Singh | D♭ Minor | 10 | 12A | 144 BPM | ||
| Jeena Pahaada Ra O | Dharmej Saundhu, Rekha Rani | G Minor | 9 | 6A | 123 BPM | ||
| Ki Bhaldi Jhuriye | Dave Ram Kullvi | F Major | 10 | 7B | 162 BPM | ||
| Ka Ho Mangroo Ab Ka Karaba | MANOJ TIWARI, Tripti Shakya | A♭ Major | 6 | 4B | 102 BPM | ||
| Saili Daaliye Boor Lagaa | Dharmej Saundhu, Rekha Rani | B♭ Minor | 7 | 3A | 78 BPM | ||
| Shela Laga De Kambla | Anita Neetu | F Major | 9 | 7B | 135 BPM | ||
| Gha Badhdi Reena | Dharmej Saundhu, Rekha Rani | A♭ Major | 8 | 4B | 160 BPM | ||
| Lagai Dihi Choliya Ke Huk Rajajk - Bhojpuri | Ravindra Raj | E Major | 10 | 12B | 145 BPM | ||
| Lehanga Pahira Gotedaar | Rekha Rani | A Major | 9 | 11B | 170 BPM | ||
| ढोल गेरा बाजे | THAR MUSIC | C Major | 9 | 8B | 102 BPM | ||
| Tani Fere Di Balam Ji Karbatiya | Indu Sonali | G Minor | 9 | 6A | 105 BPM |