Mahendra Warekar, Ravindra Sathe's ' "Swami Samarth Swami Samarth" was released on its scheduled release date, November 10, 2019. This song is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. There are a total of 21 in the song's album "Swami Samarth Bhaktigeete". In this album, this song's track order is #17. Furthermore, we believe that the track originated from France. Swami Samarth Swami Samarth is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Swami Samarth Swami Samarth by Mahendra Warekar, Ravindra Sathe having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dev Shivacha Avtaar-Abhang | Santosh Dattaram Joil | D Major | 9 | 10B | 104 BPM | ||
| Bai Radhechya G Shrirang Bharlay Mani | Bhakti Bhajan, Prajwal Prk, Vrushabh Kathale | D Major | 10 | 10B | 85 BPM | ||
| Maaybapachi Sanduniya Aas (Bhairavi) | Vishnubuva Wavanjekar | E♭ Minor | 4 | 2A | 104 BPM | ||
| Dattachi Aarti | Sejal Marathe | F Major | 4 | 7B | 175 BPM | ||
| Adham Udharan Avinashi | Swami Shree Chhapaiyaprakashdasji | E♭ Major | 7 | 5B | 139 BPM | ||
| San Gauri Ganpaticha | Neha Rajpal, Sachidanand Aappa | G Major | 7 | 9B | 105 BPM | ||
| Parshwa Chintamani Mero Mero | Prashant Shah (Dikubhai) | A♭ Minor | 2 | 1A | 154 BPM | ||
| Om Jai Jagdish Hare, Swami Jai Jagdish Hare | Shyam Saajan, Supriya | G Major | 2 | 9B | 132 BPM | ||
| Evadha Vel Ka Laavilaa | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Swami Samarth Mhana | Mahendra Warekar, Ravindra Sathe | C Major | 6 | 8B | 115 BPM | ||
| Jokhon Tomhar Keu Chelo Na | Parikshit Bala | E♭ Major | 5 | 5B | 154 BPM | ||
| Tumi Nirmal Koro | Antara Chowdhury, Various Child | B♭ Major | 4 | 6B | 90 BPM | ||
| Sevalal Maharaj Arti | Pooja Mhatre | F Major | 6 | 7B | 80 BPM | ||
| Savale Parabrahma Aavade - Studio | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Aaisa Yeie Ba - Dhoop Aarti | Pramod Medhi | E♭ Major | 8 | 5B | 138 BPM | ||
| Sod Gabhara Ekda | Anshuman More | A Major | 10 | 11B | 180 BPM | ||
| Hare Krishna Vol 2 Part 5 - Original | Bitu Samajpati, NA | G Major | 7 | 9B | 95 BPM | ||
| Kanak Bhudhar Shikhar Vasini - Durga Vandana | Sarda Sinha | C Major | 5 | 8B | 83 BPM | ||
| Jai Sadguru Maharaj | Jagadguru Shri Kripalu Ji Maharaj, Sangita Didi | C Major | 6 | 8B | 95 BPM | ||
| Bar Ajgut Dekhal Tor Angana | Devi | B♭ Major | 6 | 6B | 110 BPM | ||
| Shri Padmavati Chalisa | Hemant, Sangita, Chandrika, Nandita | F Major | 6 | 7B | 137 BPM | ||
| Raghu Vamsha Deepa | Vidyabhushana, H. L. Sheshachandra | D♭ Major | 6 | 3B | 144 BPM | ||
| Swami Samartha Tumhi Krupavanta | Mahendra Warekar, Ravindra Sathe | E Major | 4 | 12B | 176 BPM | ||
| Bir Senapati Vivekananda | Mahesh Ranjan Shome | G Major | 5 | 9B | 155 BPM | ||
| Narasimha Gayathri Mantra | Shankara Sastry | C Major | 4 | 8B | 143 BPM |