Earl Thomas Conley's 'This Ain't No Way to Be' had a release date set for 1982. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Somewhere Between Right and Wrong". In this album, this song's track order is #3. This Ain't No Way to Be is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With This Ain't No Way to Be by Earl Thomas Conley having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It Would Be You | Gary Allan | G Major | 5 | 9B | 141 BPM | ||
| A Long Line of Love | Michael Martin Murphey | F Major | 2 | 7B | 138 BPM | ||
| Learning As You Go | Rick Trevino | G Major | 7 | 9B | 110 BPM | ||
| Your Heart's Not in It | Janie Fricke | D♭ Major | 3 | 3B | 104 BPM | ||
| Heaven's Just A Sin Away | The Kendalls | F♯ Major | 6 | 2B | 153 BPM | ||
| Bet Your Heart On Me | Johnny Lee | E Major | 4 | 12B | 119 BPM | ||
| The Day That She Left Tulsa (In A Chevy) | Wade Hayes | A♭ Major | 4 | 4B | 68 BPM | ||
| This Woman and This Man | Clay Walker | F♯ Minor | 6 | 11A | 148 BPM | ||
| She Can't Say I didn't Cry | Rick Trevino | E♭ Major | 4 | 5B | 147 BPM | ||
| Pickin' up Strangers | Johnny Lee | D Minor | 3 | 7A | 135 BPM | ||
| God Must Be A Cowboy | Dan Seals | A♭ Major | 3 | 4B | 115 BPM | ||
| Don't Take Her She's All I Got | Tracy Byrd | B♭ Major | 7 | 6B | 131 BPM | ||
| Too Busy Being In Love | Doug Stone | D Major | 4 | 10B | 178 BPM | ||
| You Should Have Been Gone By Now | Eddy Raven | C Major | 4 | 8B | 117 BPM | ||
| Do You Believe Me Now | Vern Gosdin | A♭ Major | 2 | 4B | 72 BPM | ||
| Come In Out of the Pain | Doug Stone | A Major | 4 | 11B | 71 BPM | ||
| The Walk | Sawyer Brown | D Major | 4 | 10B | 128 BPM | ||
| Lady Lay Down | John Conlee | F Major | 3 | 7B | 91 BPM | ||
| Hurt Me Bad (In A Real Good Way) | Patty Loveless | D Major | 5 | 10B | 133 BPM | ||
| I Love The Way He Left You | Earl Thomas Conley | G Major | 4 | 9B | 98 BPM | ||
| Love Don't Care (Whose Heart It Breaks) | Earl Thomas Conley | F Major | 5 | 7B | 125 BPM | ||
| The Perfect Picture (To Fit My Frame of Mind) | Earl Thomas Conley | G Major | 4 | 9B | 105 BPM | ||
| Nobody's Home | Clint Black | D♭ Major | 5 | 3B | 105 BPM | ||
| I Don't Wanna Cry | Larry Gatlin & The Gatlin Brothers | G Major | 4 | 9B | 92 BPM | ||
| Broken Lady | Larry Gatlin & The Gatlin Brothers | B♭ Major | 3 | 6B | 91 BPM |