"Amor ch‘attendi" by Maria Kostraki, Giulio Caccini had its release date on July 1, 2022. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Amor ch‘attendi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Maria Kostraki, Mosaico Mediterraneo Ensemble, Antonis Sousamoglou's "Mosaico Mediterraneo" album is number 6 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Amor ch‘attendi is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Amor ch‘attendi by Maria Kostraki, Giulio Caccini to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maral | JUUK, Hasmik Bagoyan | D Major | 2 | 10B | 178 BPM | ||
| Amen Holy Is The Father (Fragments Of The Liturgy) | Dudukner Ensemble | B Minor | 1 | 10A | 71 BPM | ||
| O Giannis O Fonias | Margarita Zorbala | D Minor | 3 | 7A | 112 BPM | ||
| Unser nigundl | Talila, Ensemble Kol Aviv | G Minor | 2 | 6A | 89 BPM | ||
| De Edad de Kinze Anyos | Dafné Kritharas, Camille El Bacha, Matthias Courbaud, Paul Barreyre | E Minor | 3 | 9A | 128 BPM | ||
| Shabes | Nikitov | B Minor | 1 | 10A | 173 BPM | ||
| Chaque fois que je ferme mes yeux | Billy Thompson | C Major | 4 | 8B | 139 BPM | ||
| Si veriash a la rana | Kon Sira | E Major | 4 | 12B | 93 BPM | ||
| L'aurore | Mathias Lévy, Laurent Derache, Lou Tavano, Jean-Philippe Viret, Sebastien Giniaux | G Minor | 3 | 6A | 113 BPM | ||
| Ayvanın İrisine | Alp İlker Ersil, Orfeon Oda Korosu | F♯ Minor | 5 | 11A | 93 BPM | ||
| Aquest Camí Tan Fi | Arianna Savall | C Major | 1 | 8B | 107 BPM | ||
| Me Caíste Del Cielo | Mónica ramos | D Major | 2 | 10B | 149 BPM | ||
| Promesas Estancadas | Chaska Llaqta | B♭ Major | 6 | 6B | 122 BPM | ||
| Itsasoa | Enrike Solinís, Euskal Barrokensemble, Enrike Solinís & Euskal Barrok Ensemble, Leire Berasaluze | D Minor | 2 | 7A | 161 BPM | ||
| Posecion | Elk Rea | C Minor | 4 | 5A | 85 BPM | ||
| Warren Suite V. Forebears | Angus MacRae | F Minor | 5 | 4A | 139 BPM | ||
| Alexandris | Martha Mavroidi, Eva Quartet, Irini Derebei, Maria Melachrinou | E Minor | 3 | 9A | 109 BPM | ||
| Milonga campera | Las Hermanas Caronni | G Minor | 1 | 6A | 170 BPM | ||
| Las Morillas de Jaen | Claire Zalamansky, Paco Ibanez, Las Morillas de Jaën | E Major | 2 | 12B | 133 BPM | ||
| El Cant De La Sibil·la | TRËI | D Major | 0 | 10B | 170 BPM | ||
| Ninna Nanna sopra la romanesca | L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi | B Minor | 0 | 10A | 131 BPM | ||
| To Katehon | Efrén López, Stelios Petrakis, Bijan Chemirani | B Minor | 4 | 10A | 156 BPM | ||
| Quelles beautés, ô mortels (Récit de Mnémosyne) | Antoine Boësset, Simone Kermes, Enrico Casazza | D Major | 4 | 10B | 91 BPM | ||
| Dance of the Legends | Jayda Leysath, Yaroslav Medvedev-Taraldset | B♭ Major | 2 | 6B | 95 BPM | ||
| Durme, durme | Kon Sira | G Minor | 1 | 6A | 82 BPM |