String Quintet in C, D.956: 2. Adagio by Franz Schubert, Walter Levin, Henry Meyer, Peter Kamnitzer, Lee Fiser, Lynn Harrell Song Details

"String Quintet in C, D.956: 2. Adagio" by Franz Schubert, Walter Levin, Henry Meyer, Peter Kamnitzer, Lee Fiser, Lynn Harrell had its release date on January 1, 1991. This song appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Schubert: String Quintet In C Major D.956 / Schumann: Piano Quintet In E Flat, Op. 44". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, String Quintet in C, D.956: 2. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With String Quintet in C, D.956: 2. Adagio by Franz Schubert, Walter Levin, Henry Meyer, Peter Kamnitzer, Lee Fiser, Lynn Harrell having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.

Music Key

F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 14%
Loudness: -27.986 dB
Acousticness: 98%
Danceability: 17%
Energy: 4%
Instrumentalness: 87%
Liveness: 24%
Loudness: 53%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Lohengrin, WWV 75: Prelude to Act I	Richard Wagner, Gewandhausorchester, Andris Nelsons	A Major	1	11B	72 BPM
Enescu: Octet in C Major, Op. 7: IV. Mouvement de valse bien rythmée	George Enescu, Vilde Frang	F Major	3	7B	112 BPM
Larghetto in G Major, Op. 11: I. Larghetto espressivo	Louis Ferdinand Von Preußen, Trio Parnassus, Thomas Selditz, Stanislau Anishchanka	B Major	2	1B	100 BPM
Piano Quintet in G minor, Op. 30: 4. Finale. Allegro vivace - Moderato maestoso	Sergei Taneyev, Vadim Repin, Ilya Gringolts, Nobuko Imai, Lynn Harrell, Mikhail Pletnev	G Major	2	9B	87 BPM
Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre a ta voix" (Arr. for Cello and Piano by George Trinkaus)	Camille Saint-Saëns, Mischa Maisky, Lily Maisky	G Major	1	9B	87 BPM
Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato –	Max Bruch, Bomsori, Bamberger Symphoniker, Jakub Hrůša	G Major	1	9B	95 BPM
Samson et Dalila Op. 47, Act II, Scene III: “Mon coeur s’ouvre à ta voix”	Philippe Quint, Lily Maisky	G Major	1	9B	110 BPM
Bagatelles I-XIII: Bagatelle I	Valentin Silvestrov, Hélène Grimaud	C Minor	0	5A	135 BPM
Piano Trio in A minor, M. 67: 4. Final (Animé)	Maurice Ravel, Itzhak Perlman, Lynn Harrell, Vladimir Ashkenazy	A♭ Major	1	4B	107 BPM
6 Lieder de Franz Schubert: II. L'Attente	Alexandre Batta, Franz Schubert, Sol Gabetta, Irina Zahharenkova	D Major	5	10B	76 BPM
String Trio, Op. 45: 2nd Episode	Arnold Schoenberg, Walter Levin, Peter Kamnitzer, Lee Fiser	F Major	1	7B	130 BPM
Sonata for Cello and Piano in G minor, Op. 19: 4. Allegro mosso	Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy	G Major	2	9B	81 BPM
In einem kühlen Grunde	Traditional, Martin Stadtfeld	C Major	2	8B	184 BPM
La Veneziana (Barcarolle) in G Minor CG 593	Charles Gounod, Roberto Prosseda	G Minor	0	6A	86 BPM
Tissue No. 6	Philip Glass, Camille Thomas, Julien Brocal	C Major	0	8B	85 BPM
Cello Concerto No. 1 in C Major Hob. VIIb:1 (Cadenzas: Lynn Harrell): II. Adagio - Cadenza	Lynn Harrell, Academy of St. Martin in the Fields, Sir Neville Marriner	F Major	1	7B	124 BPM
Suk: Elegie in D-Flat Major, Op. 23 (Adagio - Poco più mosso):	Josef Suk, Ahn Trio	A♭ Major	0	4B	83 BPM
Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): I. Adagio, ma non tanto	Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela Hewitt	D Major	0	10B	100 BPM
Piano Quartet in E-Flat Major, Op. 47: IV. Finale (Vivace)	Robert Schumann, Alexander Melnikov, Jerusalem Quartet	A Major	0	11B	88 BPM
Les larmes de Jacqueline, Op. 76, No. 2	Jacques Offenbach, Harriet Krijgh, Kamilla Isanbaeva	C Major	1	8B	129 BPM
Bach, JC: Oboe Quartet in B-Flat Major, W. B60, T. 305: I. Allegro	Johann Christian Bach, Itzhak Perlman	F Major	2	7B	107 BPM
6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114	Felix Mendelssohn, Harriet Krijgh, Magda Amara	B Minor	1	10A	86 BPM
Piano Quintet in B Minor, Op. 74: II. Larghetto	Ferdinand Ries, Klavierquintett Wien	C Minor	4	5A	136 BPM
Violin Sonata in A Major, FWV 8 (Arr. for Cello and Piano by Jules Delsart): I. Allegro ben moderato	César Franck, Lidy Blijdorp, Tobias Borsboom	F Major	1	7B	83 BPM
Ancient Airs & Dances, Suite III, P. 172: III. Siciliana (Anonymous)	Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly	C Minor	1	5A	131 BPM