"To a Future with an End" by Rob Simonsen had its release date on April 21, 2015. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "The Age of Adaline (Original Motion Picture Score)". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United States. Based on our statistics, To a Future with an End's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With To a Future with an End by Rob Simonsen having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beauty Within | Universal Production Music | D Major | 5 | 10B | 135 BPM | ||
| Twisted Around the Truth | Rob Simonsen | F Minor | 2 | 4A | 114 BPM | ||
| Family | Guy Farley | A Minor | 2 | 8A | 120 BPM | ||
| Sea Of Sand | Harald Kloser, Thomas Wander | D♭ Major | 4 | 3B | 82 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| Tris | Junkie XL, Ellie Goulding | G Minor | 4 | 6A | 124 BPM | ||
| Persuasion (From "Persuasion") [BBC 2007 Adaptation] | Regency Players | C Major | 1 | 8B | 100 BPM | ||
| Me Before You Orchestral | Craig Armstrong | C Major | 1 | 8B | 73 BPM | ||
| Grandes Sueños | Fernando Velázquez | E♭ Major | 0 | 5B | 137 BPM | ||
| Kluge: Dreams and Echoes | Kathryn Kluge | G Major | 0 | 9B | 68 BPM | ||
| Leave Taking | Stephen Warbeck | G Minor | 0 | 6A | 135 BPM | ||
| Sabine | Peter Gregson | C Minor | 0 | 5A | 90 BPM | ||
| Impecunious Circumstances | Thomas Newman | C Minor | 2 | 5A | 85 BPM | ||
| All For One | Paul Haslinger | E Minor | 3 | 9A | 92 BPM | ||
| The Importance Of This River - From "Our Planet" | Steven Price | A Major | 2 | 11B | 68 BPM | ||
| Forget the Miracle Ever Happened | Ryan Lott | C Major | 3 | 8B | 134 BPM | ||
| Ginty My Love | Thomas Newman | E♭ Major | 3 | 5B | 138 BPM | ||
| Bedtime Without Mom | Deborah Lurie | G Minor | 0 | 6A | 81 BPM | ||
| Letters/The Moon | Deborah Lurie | D♭ Major | 2 | 3B | 116 BPM | ||
| Saving Mr. Banks (End Title) | Thomas Newman | C Major | 3 | 8B | 106 BPM | ||
| It's All Alive | Dan Romer, Saul Simon MacWilliams | A♭ Major | 2 | 4B | 164 BPM | ||
| Bradley And Norman | Chris Bacon | C Major | 0 | 8B | 94 BPM | ||
| Melissa Loves Jeremy | John Debney | C Major | 1 | 8B | 103 BPM | ||
| I Found You | Rob Simonsen | C Major | 1 | 8B | 100 BPM | ||
| Lake House | Marcelo Zarvos | E Major | 1 | 12B | 107 BPM |