"Praise, My Soul, the King of Heaven" by John Goss, Roderick elms, Brentwood Cathedral Choir, Andrew Wright, Stephen King had its release date on March 27, 2020. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Praise, My Soul, the King of Heaven's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 26 in Favourite Catholic Hymns, Vol. 2 by Brentwood Cathedral Choir, Andrew Wright, Stephen King. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Praise, My Soul, the King of Heaven is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Praise, My Soul, the King of Heaven by John Goss, Roderick elms, Brentwood Cathedral Choir, Andrew Wright, Stephen King is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 4. Yea, Amen! Let All Adore Thee | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | G Major | 2 | 9B | 59 BPM | ||
| Praise, My Soul, the King of Heaven (Arr. for Full Orchestra) | John Goss, Joshua Choe | F Major | 0 | 7B | 98 BPM | ||
| Psalm 117 "O Praise the Lord, All Ye Heathen" | Peter Hurford, Ely Cathedral Choir, David Price, Paul Trepte | A Major | 1 | 11B | 131 BPM | ||
| Praise, My Soul, The King Of Heaven | John Goss, Henry Lyte, Choir Of St. Martin-In-The-Fields, John Churchill | D Major | 1 | 10B | 82 BPM | ||
| Psalm 67 - "God Be Merciful Unto Me" | Bertram Luard-Selby, Choir of St. John's College, Cambridge, John Scott, George Guest | F Major | 2 | 7B | 135 BPM | ||
| Psalm 34 | Anon, Salisbury Cathedral Choir, Simon Lole | A♭ Major | 1 | 4B | 90 BPM | ||
| Bragernes Canticles: II. Nunc dimittis | Kim André Arnesen, Bragernes kirkes ungdomskor, Beate Strømme Fevang | B♭ Major | 2 | 6B | 97 BPM | ||
| When in Our Music God Is Glorified | Harvard University Choir | D Minor | 1 | 7A | 81 BPM | ||
| Psalm 148: Psalm CXLVIII | Thomas Attwood Walmisley, Michael Bloss, Choir of St John's, Elora, Noel Edison | B♭ Major | 1 | 6B | 82 BPM | ||
| Let The Lower Lights Be Burning | Bliss, Ely Cathedral Choir, Paul Trepte | B♭ Major | 2 | 6B | 81 BPM | ||
| Mun kotini taivaassa ihana on (SL 260a) | Seuralaulu, SRK:n kuoro, SRK:n orkesteri, Juha Paukkeri | G Major | 1 | 9B | 171 BPM | ||
| When I Was in Trouble, I Called upon the Lord (Psalm 120) | William Sterndale Bennett, Gloriae Dei Cantores, Elizabeth C. Patterson | A♭ Minor | 1 | 1A | 81 BPM | ||
| Elgar: Ave Verum Corpus | Edward Elgar, Choir of New College, Oxford, Edward Higginbottom | G Major | 2 | 9B | 172 BPM | ||
| Nunc dimittis in C | Charles Villiers Stanford, The King's Consort, Robert King | B♭ Major | 1 | 6B | 82 BPM | ||
| The Crucifixion: Hymn: The Mystery of the Divine Humiliation | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | E Major | 0 | 12B | 122 BPM | ||
| Psalm 41 "Blessed Is He That Considereth the Poor and Needy" | William Crotch, Lichfield Cathedral Choir, Mark Shepherd, Jonathan Rees-Williams | A♭ Major | 1 | 4B | 121 BPM | ||
| Mother of God, Here I stand | John Tavener, Irene Messoloras, Meridian | G Major | 1 | 9B | 86 BPM | ||
| O sacred head sore wounded | Johann Sebastian Bach, Cathedral Choral Society, Nicholas White, Gisele Becker | C Major | 1 | 8B | 167 BPM | ||
| Psalm 67: God be merciful unto us | Matthew Camidge, The Choir Of Westminster Abbey, Martin Neary | E♭ Major | 1 | 5B | 74 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| O Love of God, How Strong and True (Arr. M. McCarthy) | Hubert Parry, Washington National Cathedral Choir, Erik Suter, Scott Hanoian, Michael McCarthy | G Major | 2 | 9B | 71 BPM | ||
| Psalm 46: God is our hope and strength (from Martin Luther) | Martin Luther, The Choir Of Westminster Abbey, Martin Neary | D Major | 1 | 10B | 90 BPM | ||
| Before Action | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 2 | 4A | 67 BPM | ||
| Israel in Egypt, HWV 54, Pt. II, "Exodus": No. 8, Chorus. He Sent a Thick Darkness | George Frideric Handel, Le Concert Spirituel, Herve Niquet | B Major | 3 | 1B | 110 BPM | ||
| Thou wilt keep him in perfect peace | Samuel Sebastian Wesley, James McVinnie, Choir of Clare College, Cambridge, Christopher Robinson | F Major | 0 | 7B | 67 BPM |