"Lonesome Town" by Mark Murphy had its release date on January 7, 1960. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Lonesome Town's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mark Murphy's "Mark Murphy's Hip Parade" album is number 2 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Lonesome Town's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lonesome Town by Mark Murphy to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No More Blues | Roberta Gambarini | B♭ Major | 1 | 6B | 140 BPM | ||
| Gone with the Wind | Dakota Staton | D♭ Major | 7 | 3B | 127 BPM | ||
| Ac-cent-tchu-ate The Positive | Susannah McCorkle | F♯ Minor | 2 | 11A | 120 BPM | ||
| Tip | Jazzmeia Horn | G Major | 1 | 9B | 65 BPM | ||
| Jambangle | Gil Evans | C Major | 2 | 8B | 79 BPM | ||
| Willow Weep for Me | Dakota Staton | D♭ Major | 7 | 3B | 127 BPM | ||
| This Could Be The Start Of Something Big | Lorez Alexandria | B♭ Minor | 5 | 3A | 128 BPM | ||
| You're Gonna Hear from Me | Veronica Swift | C Minor | 3 | 5A | 75 BPM | ||
| I Only Have Eyes For You | Carmen McRae | F Major | 1 | 7B | 119 BPM | ||
| Dancing On The Ceiling | Lorez Alexandria | C Major | 2 | 8B | 81 BPM | ||
| Spring Can Really Hang You Up The Most | Mark Murphy | C Major | 2 | 8B | 78 BPM | ||
| I Feel Pretty | Annie Ross, Gerry Mulligan Quartet | G Minor | 4 | 6A | 80 BPM | ||
| If I Should Lose You | Vi Redd | G Minor | 2 | 6A | 95 BPM | ||
| Black Coffee | Sonny Criss | D♭ Major | 7 | 3B | 127 BPM | ||
| My Kinda Love | Ernestine Anderson | G Minor | 3 | 6A | 67 BPM | ||
| Everyday I Have The Blues | Tyreek McDole, Dylan Band, Caelan Cardello | F Minor | 5 | 4A | 184 BPM | ||
| Get Home Safe | Jazmine Fontaine | B♭ Minor | 4 | 3A | 107 BPM | ||
| Gravy Waltz | Bill Henderson, Oscar Peterson Trio | A Major | 2 | 11B | 137 BPM | ||
| Love Vibrations | Horace Silver Quintet | C Minor | 5 | 5A | 149 BPM | ||
| Enjoy Yourself (It's Later Than You Think) | Maxine Sullivan, Bob Haggart, Ike Isaacs, Dardanelle, Sil Austin | E♭ Major | 4 | 5B | 175 BPM | ||
| Watch What Happens | Morgana King | E Minor | 2 | 9A | 210 BPM | ||
| Day In, Day Out | Mark Murphy | B♭ Major | 1 | 6B | 66 BPM | ||
| Baltimore Oriole | Sheila Jordan | G Minor | 1 | 6A | 99 BPM | ||
| I Love Paris | Annie Ross | G Minor | 2 | 6A | 133 BPM | ||
| Show Me | Lorez Alexandria | F♯ Major | 2 | 2B | 84 BPM |