Vinod Rathod, Laxmikant–Pyarelal's ' "Ram Kasam Mera Bada Naam Ho Gaya" was released on its scheduled release date, September 24, 1993. This song is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The track order of this song in Laxmikant–Pyarelal's "Gumraah" album is number 6 out of 6. On top of that, India appears to be the country where this track was created. Ram Kasam Mera Bada Naam Ho Gaya is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Ram Kasam Mera Bada Naam Ho Gaya by Vinod Rathod, Laxmikant–Pyarelal to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ye Mere Ishq Ka Sila Hai | Agam Kumar Nigam | D♭ Minor | 8 | 12A | 153 BPM | ||
| Kranti Kranti - I | Lata Mangeshkar, Manna Dey, Mahendra Kapoor, Shailendra Singh, Nitin Mukesh, Laxmikant–Pyarelal | F Minor | 4 | 4A | 174 BPM | ||
| Kal Saiyyan Ne Aisi Bowling Ki | Alisha Chinai | F♯ Minor | 7 | 11A | 115 BPM | ||
| Sanchi Kahe Toe Aavan Se | Jaspal Singh | A♭ Major | 7 | 4B | 104 BPM | ||
| Kala Doriya | Anuradha Paudwal | A♭ Major | 9 | 4B | 102 BPM | ||
| To Chalun | Roop Kumar Rathod, Altaf Raja | F♯ Major | 5 | 2B | 140 BPM | ||
| Tu Is Tarah Se Mere Zindagi Main - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | A Major | 8 | 11B | 98 BPM | ||
| Teri Lagan Lagi | Fareed Sabri, Saeed Sabri, Anupama | D♭ Major | 9 | 3B | 93 BPM | ||
| Duniya Di Tha Tha Tha | Arun Bakshi | D Major | 7 | 10B | 137 BPM | ||
| Mera Mehboob Aayega | Arun Bakshi, Poornima | D Major | 8 | 10B | 82 BPM | ||
| Umeed Ki Koi Shama Jalti Rahi | Abhijeet | C Minor | 6 | 5A | 80 BPM | ||
| O Hare Dupattewali | Vipin Sachdeva | F Major | 8 | 7B | 93 BPM | ||
| Rooth Kar Hum | Sajid-Wajid, Roop Kumar Rathod, Sabri Brothers | F♯ Minor | 10 | 11A | 82 BPM | ||
| Aati Hai Raat Odhe Hue Dard Ka Kafan | Abhijeet | G Major | 5 | 9B | 120 BPM | ||
| Duja Koi Roye | Mohammed Aziz, Laxmikant–Pyarelal | D♭ Major | 4 | 3B | 116 BPM | ||
| Itni Aasani Se Zindagi Ki Jung Haar Jaye (From "Baazigar") | Shah Rukh Khan, Vinod Rathod | D♭ Minor | 8 | 12A | 90 BPM | ||
| Aaise Waise Na Samajh Sajna | Asha Bhosle, Laxmikant–Pyarelal | C Minor | 4 | 5A | 167 BPM | ||
| Jaisi Karni Waisi Bharni (Sad Version) - Male Version | Nitin Mukesh | A Minor | 3 | 8A | 146 BPM | ||
| Na Chithiyan Na Koi Sandesa | Shobha Joshi | E♭ Major | 5 | 5B | 74 BPM | ||
| Too Mere Dil Mein | Abhijeet | A Minor | 6 | 8A | 119 BPM | ||
| Is Pyar Ki Hum Pehchan Denge | Sudesh Bhosle, Alka Yagnik, Vinay Mandke, Mohammed Aziz, Laxmikant–Pyarelal | D♭ Major | 5 | 3B | 87 BPM | ||
| O Saiyyan Saiyyan | Vinod Rathod, Alka Yagnik | A♭ Major | 8 | 4B | 116 BPM | ||
| Deewane Tere Naam Ke - Jhankar Beats | Sukhwinder Singh | A♭ Major | 6 | 4B | 88 BPM | ||
| Tum Haseen Kis Kadar Ho | Mohammed Aziz, Anuradha Paudwal, Laxmikant–Pyarelal | A♭ Major | 8 | 4B | 140 BPM | ||
| Muzhe Sharabi Bana Diya | Devi | G Major | 6 | 9B | 146 BPM |