"Beatrice Taken" by Garry Schyman had its release date on February 9, 2010. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Beatrice Taken's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 41 in Dante's Inferno (Original Soundtrack) by Garry Schyman, Paul Gorman, EA Games Soundtrack. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, Beatrice Taken's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beatrice Taken by Garry Schyman is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Utrecht | Delavef Layton, Delan Marlon | A♭ Major | 1 | 4B | 85 BPM | ||
| Kronos Megalos - Remix | Javier Navarrete | F Minor | 5 | 4A | 152 BPM | ||
| Calliope | Gerard Marino | A Minor | 7 | 8A | 133 BPM | ||
| History of the Greeks | Junkie XL | C Major | 2 | 8B | 107 BPM | ||
| Sadistic Fury | Kevin Riepl | C Minor | 4 | 5A | 120 BPM | ||
| Doomhammer | Jeff van Dyck | G Major | 8 | 9B | 94 BPM | ||
| King Beowulf | Alan Silvestri | C Minor | 1 | 5A | 90 BPM | ||
| Corruption | Trevor Gureckis | G Major | 6 | 9B | 65 BPM | ||
| The Hag | Shusaku Uchiyama | D Minor | 5 | 7A | 139 BPM | ||
| The Defeat of Lucifer | Garry Schyman | D Minor | 4 | 7A | 177 BPM | ||
| The Dead Survive | Trevor Gureckis | D♭ Major | 6 | 3B | 146 BPM | ||
| You Carry What You Must | Marc Canham | B♭ Minor | 2 | 3A | 180 BPM | ||
| Sphere | Erakil Leumann, Erakil Lee | A♭ Major | 6 | 4B | 85 BPM | ||
| Reincarnation of Tragedy | Bill Brown | A♭ Major | 4 | 4B | 85 BPM | ||
| Abstergo Industries | Lorne Balfe, Assassin's Creed | D♭ Minor | 6 | 12A | 156 BPM | ||
| Hail the Nightmare | SIE Sound Team | D♭ Major | 2 | 3B | 175 BPM | ||
| Armageddon | Jagex Audio Team, Adam Bond | B♭ Minor | 7 | 3A | 80 BPM | ||
| Good and Evil (From Baldur's Gate: Dark Alliance 2) | Craig Stuart Garfinkle | B♭ Minor | 7 | 3A | 125 BPM | ||
| Waiting for the Engineer | Hildur Guðnadóttir | F Minor | 3 | 4A | 142 BPM | ||
| Through the Hollow Earth | Simon Poole | F Major | 1 | 7B | 64 BPM | ||
| Foster The Children | Mark Korven | A♭ Major | 0 | 4B | 180 BPM | ||
| X-24 | Marco Beltrami | D Minor | 2 | 7A | 140 BPM | ||
| Omen | SIE Sound Team | B♭ Major | 1 | 6B | 130 BPM | ||
| Melancholia | RAIME DIROCHE, Garry Schyman, Nick Arundel | G Minor | 2 | 6A | 108 BPM | ||
| The Oracle | Marios Aristopoulos, Xana Villan-Rueda | E♭ Minor | 3 | 2A | 100 BPM |