"George Gets Turned On" by Randy Edelman had its release date on January 1, 1992. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 18 in Beethoven by Randy Edelman. In terms of popularity, George Gets Turned On is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of George Gets Turned On by Randy Edelman is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| I Won't Leave You | Clinton Shorter | D Major | 1 | 10B | 119 BPM | ||
| The Letter That Never Came | Thomas Newman | F Major | 1 | 7B | 141 BPM | ||
| Cutting The Rope | Harald Kloser | D Minor | 0 | 7A | 143 BPM | ||
| The Next Twenty Years - From "Our Planet" | Steven Price | A♭ Minor | 3 | 1A | 83 BPM | ||
| Independence Day Resurgence Finale | Thomas Wander, Harald Kloser | B♭ Major | 2 | 6B | 83 BPM | ||
| Latura's Theme - Daylight/Soundtrack Version | Randy Edelman | C Major | 1 | 8B | 67 BPM | ||
| Dumbledore's Farewell | Nicholas Hooper | A Minor | 1 | 8A | 115 BPM | ||
| Only The Beginning of The Adventure | Harry Gregson-Williams | A♭ Major | 2 | 4B | 83 BPM | ||
| Cross tempo | Andrea Guerra | A♭ Major | 0 | 4B | 82 BPM | ||
| The Man in the Iron Mask | Philharmonic Wind Orchestra & Marc Reift Orchestra | D Major | 5 | 10B | 157 BPM | ||
| Soul of the Age | Thomas Wander, Harald Kloser | E♭ Major | 2 | 5B | 173 BPM | ||
| As Long as We Both Shall Live | Bear McCreary | G Major | 1 | 9B | 77 BPM | ||
| A Homeward Bound Overture - Score Version | Bruce Broughton | C Major | 1 | 8B | 110 BPM | ||
| King Arthur: Tell Me Now (What You See) | Royal Philharmonic Orchestra | C Major | 2 | 8B | 76 BPM | ||
| Storybook | Geoff Zanelli, Jon Brion | A Minor | 1 | 8A | 77 BPM | ||
| Welcome to Ireland | Amelia Warner | F Major | 2 | 7B | 108 BPM | ||
| What's Your Dream? | Mark McKenzie | G Major | 1 | 9B | 93 BPM | ||
| Where's the House? | Bruce Broughton | A♭ Major | 1 | 4B | 69 BPM | ||
| Seppuku | Ilan Eshkeri | F Major | 3 | 7B | 114 BPM | ||
| Merry Men | Marc Streitenfeld | E Minor | 5 | 9A | 178 BPM | ||
| LaBoeuf Takes Leave | Carter Burwell | F Major | 0 | 7B | 47 BPM | ||
| Cody's Flight - From "The Rescuers Down Under" | Bruce Broughton | C Major | 1 | 8B | 70 BPM | ||
| Illumielle | Jo Blankenburg | F Major | 5 | 7B | 140 BPM | ||
| Samwise the Brave | Howard Shore | G Major | 1 | 9B | 66 BPM |