"Call Me Newt" by Ramin Djawadi had its release date on July 23, 2013. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Pacific Rim (Original Motion Picture Soundtrack)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Call Me Newt is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
With Call Me Newt by Ramin Djawadi having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ode to Liberty | Wilbert Roget, II | B♭ Major | 5 | 6B | 108 BPM | ||
| Ben | Trevor Rabin | C Major | 1 | 8B | 119 BPM | ||
| To the Jawas | Ludwig Göransson | F Minor | 2 | 4A | 83 BPM | ||
| Boarded | Clinton Shorter | G Major | 3 | 9B | 118 BPM | ||
| Whitehall | Christophe Beck | B♭ Major | 1 | 6B | 126 BPM | ||
| Running the Frost | Niels van der Leest | D♭ Major | 4 | 3B | 90 BPM | ||
| Apocalypse | John Ottman | B♭ Major | 2 | 6B | 84 BPM | ||
| Agamemnon Rising | Jason Graves | F Minor | 6 | 4A | 82 BPM | ||
| Blood and Rust | Stephen Barton | E Minor | 5 | 9A | 80 BPM | ||
| Embrace What You Have Become Trailer | Michael McCann | A♭ Minor | 9 | 1A | 134 BPM | ||
| Golden Gate Chaos | Alexandre Desplat | F Minor | 5 | 4A | 118 BPM | ||
| The Breach | Ramin Djawadi | E Major | 4 | 12B | 96 BPM | ||
| Live, Die, Repeat (End Title) | Christophe Beck | C Minor | 2 | 5A | 80 BPM | ||
| They Always Come Back | Brandon Campbell | G Minor | 1 | 6A | 169 BPM | ||
| Tornado Warning | Harald Kloser | D♭ Major | 1 | 3B | 139 BPM | ||
| Deportation | Ryan Amon | D♭ Major | 6 | 3B | 130 BPM | ||
| Evening the Odds | Nick Arundel | E Minor | 5 | 9A | 102 BPM | ||
| Debris | Steven Price | A Major | 4 | 11B | 132 BPM | ||
| 10,000 BC/End Credits | Harald Kloser, Thomas Wander | E Minor | 5 | 9A | 84 BPM | ||
| Stairs and Rooftops | Lorne Balfe | D♭ Major | 6 | 3B | 155 BPM | ||
| The Attack Begins | John Ottman, Jeffrey Schindler, American Federation of Musicians | B♭ Minor | 4 | 3A | 170 BPM | ||
| Springing Erik | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Major | 1 | 11B | 112 BPM | ||
| Nurse and Protect | Ludwig Göransson | F♯ Minor | 8 | 11A | 76 BPM | ||
| Watching With Ten Thousand Eyes | Ramin Djawadi | G Major | 2 | 9B | 81 BPM | ||
| This Is My Home | Steven Price | F Major | 2 | 7B | 150 BPM |