Talat Mahmood, Mohammed Rafi's ' "Kaisi Haseen Raat" was released on its scheduled release date, December 16, 1939. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 8 in Aadmi (Original Motion Picture Soundtrack) by Naushad, Ramnath. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Kaisi Haseen Raat's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Kaisi Haseen Raat by Talat Mahmood, Mohammed Rafi is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ek Bangla Bane Nyara | K. L. Saigal | E♭ Major | 4 | 5B | 107 BPM | ||
| Tuhi Woh Hasin | Mohd. Rafi | A♭ Major | 5 | 4B | 118 BPM | ||
| Tanhai,Pt. 1 | Nitin Mukesh, Sushma Shrestha | D♭ Major | 1 | 3B | 145 BPM | ||
| Chalo Ek Baar Phir Se | Mahendra Kapoor, Sahir Ludhianvi | F Minor | 2 | 4A | 92 BPM | ||
| Gagan Yeh Samjhe Chand Sukhi Hai | Jaspal Singh | B Major | 4 | 1B | 125 BPM | ||
| Wafa Jo Tumse Kabhi | Talat Aziz | E♭ Minor | 4 | 2A | 94 BPM | ||
| Insaan Bano | Naushad, Shakeel Badayuni, Mohammed Rafi | A Minor | 2 | 8A | 87 BPM | ||
| Beqarar Hai Koi | Suraiya, Mohammed Rafi | E♭ Minor | 3 | 2A | 161 BPM | ||
| Sochta Hoon Ke Maine Tumhen | Krishna Kalle, Mohammed Rafi, Kalyanji-Anandji | E♭ Major | 3 | 5B | 70 BPM | ||
| Duniya Kisi Ke Pyar Mein Jannat Se Kam Nahin | Talat Aziz | E Major | 5 | 12B | 105 BPM | ||
| Commentary And Gunche Lage Hain Kahne | Shailendra Singh, Ameen Sayani | G Major | 6 | 9B | 80 BPM | ||
| Ek Akela Is Shaher Mein | Bhupinder Singh | D Major | 7 | 10B | 89 BPM | ||
| Faza Bhi Hai Jawan - I | Salma Agha | A Major | 3 | 11B | 141 BPM | ||
| Hai Duniya Usiki Zamana Usika | Mohammed Rafi | F Major | 3 | 7B | 115 BPM | ||
| O Mere Majhi Mere Sajan Hai | S. D. Burman | B Major | 3 | 1B | 134 BPM | ||
| Aaj Iski Hai To Kal Uski | Shankar Dasgupta, Kalyanji-Anandji | D♭ Minor | 2 | 12A | 75 BPM | ||
| Dil Tera Diwana Hai Sanam | Lata Mangeshkar, Mohammed Rafi | D Minor | 8 | 7A | 120 BPM | ||
| Aap Ke Pahloo Men Aakar | Mohammed Rafi | F Major | 4 | 7B | 140 BPM | ||
| Yeh Lo Main Haari Piya | Geeta Dutt, Majrooh Sultanpuri | E♭ Major | 5 | 5B | 83 BPM | ||
| O Zindagi Ke Denewale | Hemant Kumar | F Minor | 5 | 4A | 72 BPM | ||
| Ankhon Men Masti Sharab Ki | Talat Mahmood, Salil Chowdhury | G Major | 3 | 9B | 173 BPM | ||
| Surmai Shaam | Suresh Wadkar, Gulzar | D Major | 3 | 10B | 148 BPM | ||
| La De Mohe Balma Aasmani Churiyan | Shamshad Begum, Mohammed Rafi | C Major | 5 | 8B | 66 BPM | ||
| Mujhe Ishq Hai Tujhi Se - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | G Major | 5 | 9B | 130 BPM | ||
| Jeeye to Jeeye Kaise (From "Saajan") | Pankaj Udhas | C Major | 5 | 8B | 129 BPM |