ピチカート・ファイヴ's ' "東京は夜の七時 - Studio Live" was released on its scheduled release date, November 6, 2019. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 35 in the song's album "THE BAND OF 20TH CENTURY: Nippon Columbia Years 1991-2001". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Japan. Based on our statistics, 東京は夜の七時 - Studio Live's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With 東京は夜の七時 - Studio Live by ピチカート・ファイヴ having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| カプチーノ | Rie Tomosaka | C Minor | 9 | 5A | 143 BPM | ||
| ただのともだち | salyu × salyu | C Major | 3 | 8B | 153 BPM | ||
| ブルーでハッピーがいい | Chocolat | C Major | 9 | 8B | 168 BPM | ||
| 伝説の2人 | HALCALI | C Major | 7 | 8B | 120 BPM | ||
| 輝く月が照らす夜 | Miyuki Hatakeyama | B Minor | 6 | 10A | 84 BPM | ||
| やきそばパン | Makoto Kawamoto | B Minor | 7 | 10A | 125 BPM | ||
| あの頃、マリー・ローランサン | Kazuhiko Kato | G Major | 3 | 9B | 102 BPM | ||
| 水泳 | ピチカート・ファイヴ | F Minor | 7 | 4A | 136 BPM | ||
| 普通の恋 | SPANK HAPPY | C Major | 7 | 8B | 116 BPM | ||
| SIESTA / 君のハートのナチュラル | Hideki Kaji | A Major | 9 | 11B | 176 BPM | ||
| Innocent Love | Kyoko Koizumi | E♭ Major | 9 | 5B | 136 BPM | ||
| 優しい夜の過し方 | Kazuhiko Kato | G Major | 4 | 9B | 106 BPM | ||
| 大きな木に甘えて | UA | G Major | 6 | 9B | 102 BPM | ||
| 春雨道中 | Mamalaid Rag | C Minor | 7 | 5A | 86 BPM | ||
| Cucumber! | Cymbals | A Major | 8 | 11B | 133 BPM | ||
| 連載小説 | ピチカート・ファイヴ | A♭ Major | 8 | 4B | 117 BPM | ||
| 私の運命線 | Mayumi Kojima | B Major | 5 | 1B | 106 BPM | ||
| やつらの足音のバラード | Kyoko Koizumi | C Major | 3 | 8B | 109 BPM | ||
| すみれ September Love(2006リマスタリング) | Ippu-Do | B Minor | 8 | 10A | 120 BPM | ||
| うれしい予感 | 大滝詠一 | F Major | 7 | 7B | 128 BPM | ||
| 真夜中のギター | UA | B♭ Major | 2 | 6B | 94 BPM | ||
| Innocent Love | TOKYO No.1 SOUL SET | C Major | 8 | 8B | 136 BPM | ||
| 夢で逢えたら | 大滝詠一 | B♭ Major | 6 | 6B | 117 BPM | ||
| Dog Days | Yasuyuki Okamura | D Major | 10 | 10B | 98 BPM | ||
| 子供たちの子供たちの子供たちへ | ピチカート・ファイヴ | D Major | 6 | 10B | 90 BPM |