"Septet - Largamente" by John Metcalf, Eleanor Turner, Nicola Thomas, David Campbell, Philippa Davies had its release date on September 1, 2010. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Septet - Largamente's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Paths of Song". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Septet - Largamente is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Septet - Largamente by John Metcalf, Eleanor Turner, Nicola Thomas, David Campbell, Philippa Davies having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hilloria Island | Jeremy Marlon, Jeremy Mano | E♭ Minor | 2 | 2A | 81 BPM | ||
| Cannibalize The Future | Danke Timi Briggs | B♭ Major | 3 | 6B | 80 BPM | ||
| Vallflickans Dance (Dance of the Shepherdess from the ballet-pantomime Bergakungen, Op. 37) | Hugo Alfvén, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | G Major | 1 | 9B | 147 BPM | ||
| New World Suite (Reconstructed by A. Walker): IX. Berceuse | Ignatz Waghalter, State Symphony Orchestra "Novaya Rossiya", Alexander Walker | E♭ Major | 1 | 5B | 130 BPM | ||
| In Time Of Daffodils: To An Early Daffodil | John Metcalf, Jeremy Huw Williams, Grant Llewellyn, BBC National Orchestra Of Wales | D Major | 3 | 10B | 79 BPM | ||
| We are Family | Andrea Giordano | D Minor | 0 | 7A | 129 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: V. Adagio | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | B♭ Major | 0 | 6B | 115 BPM | ||
| ピアノ協奏曲イ短調 作品54 第2楽章 インテルメッツォ:アンダンティーノ・グラツィオーソ | Robert Schumann, 石井琢磨, Hansjorg Schellenberger, Berliner Symphoniker | B♭ Major | 0 | 6B | 144 BPM | ||
| Suite en miniature, Op. 1: IV. Menuetto | Vitezslava Kaprálová, Appassionato, Mathieu Herzog | G Major | 2 | 9B | 168 BPM | ||
| The Fifth Brother Tending Sheep | Traditional, Ying Wu, Shanghai Philharmonic Orchestra | A Minor | 1 | 8A | 107 BPM | ||
| El por qué del dorado | Juan Pablo Fernández Ramos | G Major | 1 | 9B | 71 BPM | ||
| El dolor imaginado | Juan Pablo Fernández Ramos | G Major | 1 | 9B | 71 BPM | ||
| Mapping Wales: Vivace | John Metcalf, Catrin Finch, Raicho Christov, Bulgarian Chamber Orchestra | E♭ Major | 1 | 5B | 118 BPM | ||
| Canção pequena | Michael Cohen, Alex Klein, Rita Costanzi | E♭ Minor | 0 | 2A | 70 BPM | ||
| Trittico Botticelliano: No. 3, La nascita di Venere | Ottorino Respighi, Bamberg Symphony, Riccardo Frizza | G Major | 1 | 9B | 71 BPM | ||
| String Song (Version for Orchestra) | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 1 | 11B | 70 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): I. Introduzione adagio e un poco più mosso | Ernst Krähmer, Claudio Ferrarini | G Major | 1 | 9B | 71 BPM | ||
| Glazunov: Meditation, Op. 32 | Alexander Glazunov, Chloë Hanslip, Paul Mann, London Symphony Orchestra | C Major | 2 | 8B | 108 BPM | ||
| Momentum: Intermezzo | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| Pronunciandose En Silencio | Sirenas Celestiales | A Minor | 5 | 8A | 130 BPM | ||
| 3 Miniatures: No. 2, Calm (Arr. by John Metcalf for Flute & Piano) | John Metcalf, Ensemble MidtVest | D♭ Major | 0 | 3B | 139 BPM | ||
| Spring Sorrow (Arr. J. Lloyd Webber for cello and piano) | John Ireland, Julian Lloyd Webber, John Lenehan | F Major | 0 | 7B | 78 BPM | ||
| Lunacy Talked Me out of It | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brendon Steel, Royal Philarmonic Cunes | E♭ Minor | 1 | 2A | 100 BPM | ||
| 3 Pieces in Old Style: No. 3, Menuetto II | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | D Minor | 0 | 7A | 169 BPM | ||
| "A Brook, Ballet Suite: IV. Andante " | Alexander Kopylov, Léo Delibes, Symphony Orchestra of Bolshoi Theatre | A Major | 3 | 11B | 111 BPM |